Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Áîíä Ê., Äîì Çàòìåíèé. [ðîìàí] — 2022 (Young Adult. Êîðîëåâñòâà ñâåòà è òüìû)

Íóð - íåæåëàííàÿ è íåëþáèìàÿ ìëàäøàÿ äî÷ü â ñåìüå æåñòîêîãî ïðàâèòåëÿ ñîëíå÷íîãî öàðñòâà. Ðåáåíîê åäèíñòâåííîé æåíùèíû, êîòîðàÿ ðàçáèëà êîðîëþ ñåðäöå. Ñ òåõ ïîð åãî íåóòîëèìàÿ íåíàâèñòü îáðóøèëàñü íà Íóð. Íàäåæäà íà ñïàñåíèå îò òèðàíèè îòöà ïðèõîäèò âìåñòå ñ ïèñüìîì ïðàâèòåëÿ ëóííîãî êîðîëåâñòâà Êåëóìà. Îäíà èç ïðèíöåññ äîëæíà âûéòè çà íåãî çàìóæ äëÿ çàêëþ÷åíèÿ ïåðåìèðèÿ. Äëÿ êîðîëÿ äåòè - ëèøü ïåøêè â èãðå ïî çàõâàòó âëàñòè. Åãî öåëü - êîðîíà ëóííîãî ñâåòà, äàþùàÿ âëàäåëüöó áåçãðàíè÷íîå ìîãóùåñòâî. Íî ó Íóð ñâîè ïëàíû íà êîðîíó. Ñ òàêîé ñèëîé â ðóêàõ îíà ñìîæåò íàêîíåö ñâåðãíóòü ñâîåãî äåñïîòè÷íîãî îòöà. Ïîñòåïåííî äåâóøêà âñå áîëüøå ñáëèæàåòñÿ ñ Êåëóìîì. È òåïåðü ïîëîæèòü êîíåö ïðàâëåíèþ òèðàíà ñòàíîâèòñÿ åùå ñëîæíåå. Ñìîæåò ëè Íóð ïîáåäèòü áåçæàëîñòíîãî âëàäûêó è óâèäåòü, êàê â êîðîëåâñòâå íàñòóïèò íîâûé ðàññâåò?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Nightingale B., An Introduction to Fifty Modern British Plays — 1982 (Pan Literature Guides)

Designed as a series to provide a comprehensive introductionto nglish, American and European literature, each title examies one particular form and period, discussing in detail the important writers andtheir major works in the contextto their times.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Irish Verse — 1976

The penguin book of Irish verse

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Australian Short Stories — 1975

Ðàññêàç (íàðÿäó ñ áàëëàäîé) -"ñàìûé íàöèîíàëüíûé æàíð" àâñòðàëèéñêîé ëèòåðàòóðû, êîòîðûé ïîìîãàåò ïðîñëåäèòü âîçíèêíîâåíèå, ðîñò öåëîé ñòðàíû, íàöèè, çàïå÷àòëåâàåò ðàçâèòèå õóäîæåñòâåííîãî ïîçíàíèÿ ìèðà è ÷åëîâåêà. Ñîñòàâ ýòîãî ñáîðíèêà ìíîãî è äîëãî ïðîäóìûâàëñÿ, óòî÷íÿëñÿ, ìåíÿëñÿ. Àâñòðàëèéñêèå ïèñàòåëè Êàòàðèíà Ñóñàííà Ïðè÷àðä, Ôðýíê Äýëáè Äýâèñîí, Äæîí Ìîððèñîí, Àëàí Ìàðøàëë, Ëèíäîë Õýäîó, Äæóäà Óîòåí, Áèëë Ñàòòîí,Äæåéìñ Õåíäåðñîí, Äæîí Ìýíèôîëä, Ïèòåð Êàóýí, Êëåì Êðèñòåñåí, Àëåê Õîóï, Äæóäèò Ðàéò è äð. ïðèíÿëè ñàìîå çàèíòåðåñîâàííîå ó÷àñòèå â îáñóæäåíèè áóäóùåãî èçäàíèÿ.  äàííîì ñáîðíèêå ðàññêàçû ïðåäñòàâëåíû â îðèãèíàëå-íà àíãëèéñêîì ÿçûêå. ÊÍÈãà ïðåäíàçíà÷åíà ñòóäåíòàì, èçó÷àþùèì àâñòðàëèéñêóþ ëèòåðàòóðó è àíãëèéñêèé ÿçûê, à òàêæå øèðîêîìó êðóãó ÷èòàòåëåé

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

O'Casey S., Sunset and evening star — 1954

Ïîäðîáíàÿ èíôîðìàöèÿ

Casey J., The Last Girl — 2012

—Maeve Kerrigan [is] a fascinating and plausible character—What she has is persistence, integrity and emotional intelligence, and a very deft way of insinuating herself into a reader's affections.——The Irish Independent (UK) Vast wealth offers London defense attorney Philip Kennford a lot of things: a gorgeous house with a pool in the backyard, connections in the top echelons of society, a wardrobe worthy of Milan runways. But his money doesn—t provide a happy marriage, or good relationships with his twin daughters—and it does nothing to protect his family when someone brutally murders his wife and daughter in their own home.When Detective Constable Maeve Kerrigan arrives at the scene, the two survivors—Philip and his second favorite daughter, Lydia—both claim to have seen nothing, but it—s clear right away that this is an unhappy family accustomed to keeping secrets. Maeve soon finds herself entangled in a case with a thousand leads that all seem to point nowhere, and it doesn—t help that her boss, whom she trusts more than almost anyone, is starting to make decisions that Maeve finds questionable at best.In The Last Girl, Jane Casey once again demonstrates her ability to write vivid, three-dimensional characters and spin a gripping, unpredictable mystery.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Horton C., Les insectes — 1984 (Decouverte de la nature)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Casey J., Disney. Alice in Wonderland. The Visual Guide — 2010

Go behind the scenes of Tim Burton's, "Alice in Wonderland". Meet Alice, from "Alice in Wonderland"; now aged 17 she attends a party at a Victorian estate only to find she is about to be proposed to in front of hundreds of snooty society types. She runs off, following a white rabbit into a hole and ends up in Wonderland, a place she visited 10 years before yet doesn't remember. Step into Wonderland and come face-to-face with the characters from Tim Burton's, "Alice in Wonderland", and satisfy your curiosity through tons of cool facts. You'll meet The Mad Hatter, The White Queen, Cheshire Cat, Tweedle Dee and Tweedle Dum and more. Then journey through fantastic stills and CG character photography from the movie and discover all about Alice's magical adventures.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Horton C., Les mammiferes — 1984 (Decouverte de la nature)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Horton C., Prairies et steppes — 1986 (Aspects de la nature)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ