Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ãåéìàí Í., Íèêîãäå — 2024 (Ãåéìàí: êíèæíàÿ ïîëêà)

Ïîä óëèöàìè Ëîíäîíà ñóùåñòâóåò ìèð, î êîòîðîì áîëüøèíñòâî ëþäåé è íå ïîäîçðåâàåò.  íåì ñëîâî ñòàíîâèòñÿ íàñòîÿùåé ñèëîé. Òóäà ìîæíî ïîïàñòü, òîëüêî îòêðûâ Äâåðü. Ýòîò ìèð ïîëîí îïàñíîñòåé, íàñåëåí ñâÿòûìè è ìîíñòðàìè, óáèéöàìè è àíãåëàìè... Ðè÷àðä Ìýõüþ æèâåò â Ëîíäîíå, ñíèìàåò êâàðòèðó, ðàáîòàåò â èíâåñòèöèîííîé êîìïàíèè, à åãî íåâåñòà âåñüìà íåãëóïà, àìáèöèîçíà è ïðîñòî îáâîðîæèòåëüíà. Âñå èäåò ïî ïëàíó. Íî ðàçìåðåííàÿ æèçíü â áóêâàëüíîì ñìûñëå ïðîâàëèâàåòñÿ ïîä çåìëþ, êîãäà Ðè÷àðä âñòðå÷àåò íà óëèöå èçðàíåííóþ äåâóøêó, óìîëÿþùóþ î ïîìîùè. Æåñò ìèëîñåðäèÿ îòêðîåò äëÿ ìîëîäîãî ÷åëîâåêà äâåðü â óäèâèòåëüíûé è îïàñíûé ìèð - Íèæíèé Ëîíäîí, ãäå âðåìÿ è ïðîñòðàíñòâî íå ïîäâëàñòíû çàêîíàì ôèçèêè, ñìåðòåëüíàÿ îïàñíîñòü äûøèò â çàòûëîê, êðûñû óïðàâëÿþò ëþäüìè è àíãåëû ïüþò âèíî èç çàòîíóâøåé Àòëàíòèäû. Âìåñòå ñ íîâûìè äðóçüÿìè Ðè÷àðäó ïðåäñòîèò íåâåðîÿòíàÿ ìèññèÿ. Íèêòî íå çíàåò, êòî âðàã, ëþáîé ìîæåò îêàçàòüñÿ ïðåäàòåëåì, à êàæäàÿ äâåðü - âîðîòàìè â àä...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ïðàò÷åòò Ò., Áëàãèå çíàìåíèÿ — 2023 (Ìàãèÿ Òåððè Ïðàò÷åòòà â èëëþñòðàöèÿõ Ïîëèíû Ãðàô. ïîä ðåäàêöèåé Åâãåíèè Ñàôîíîâîé)

Ìèð çàêîí÷èòñÿ â ñóááîòó.  ñëåäóþùóþ ñóááîòó íà ñàìîì äåëå. Ãäå-òî ïåðåä óæèíîì. Àðìèè Äîáðà è Çëà ïðèâåäåíû â ãîòîâíîñòü ê Àðìàãåääîíó. Àòëàíòèäà ïîäíÿëàñü ñî äíà ìîðñêîãî. Æàáû ïàäàþò ñ íåáåñ. ×åòûðå Âñàäíèêà Àïîêàëèïñèñà óæå îñåäëàëè ñâîè «Õàðëåè». Âñ¸ èä¸ò ïî Áîæåñòâåííîìó Ïëàíó... çà èñêëþ÷åíèåì òîãî, ÷òî ìëàäåíöà Àíòèõðèñòà ïîäìåíèëè è ïîòåðÿëè ñðàçó ïîñëå ðîæäåíèÿ. À îäèí àíãåë è îäèí äåìîí çà 6000 ëåò ïîëþáèëè æèçíü ñðåäè ëþäåé — è òåïåðü ñàáîòèðóþò íàñòóïëåíèå Êîíöà Ñâåòà...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãåéìàí Í., Äûì è çåðêàëà. ñáîðíèê ðàññêàçîâ — 2022 (Ýêñêëþçèâ Ìèëëåíèóì)

 ñáîðíèêå "Äûì è çåðêàëà" âîîáðàæåíèå è àðòèñòèçì ìàñòåðà ïðåâðàùàþò îáû÷íûé ìèð â ìåñòî, ãäå âîçìîæíû ñàìûå íåëåïûå è ñòðàííûå âåùè: çäåñü ñòàðóøêà ïîêóïàåò Ñâÿòîé Ãðààëü â ñåêîíä-õåíäå, àìåðèêàíñêèé òóðèñò ïîïàäàåò â ëàâêðàôòîâñêèé ãîðîäîê Èíñìóò, ãäå æèâóò ïðèñïåøíèêè Âåëèêîãî Êòóëõó, íàåìíûå óáèéöû ïðåäëàãàþò ñâîè óñëóãè íà "Æåëòûõ ñòðàíèöàõ", à îáîðîòåíü ïûòàåòñÿ âîñïðåïÿòñòâîâàòü êîíöó ñâåòà. Ýòà íîâàÿ ðåàëüíîñòü, îòòåíÿåìàÿ äûìîì è òüìîé, óäèâèòåëüíî îñÿçàåìà. Îíà îñëåïèò âàøè ÷óâñòâà, òðîíåò ñåðäöå è ïðîíèêíåò â âàøè ñíû

Ñîäåðæàíèå: Ñîäåðæàíèå: Ãàëàíòíîñòü ; Íèêîëàñ Áûë ; Öåíà ; Ìîñò òðîëëÿ ; Íà ñïðàøèâàé Äæåêà ; Ïðóä ñ çîëîòûìè ðûáêàìè è äðóãèå èñòîðèè ; Ñúåäåííûé (ñöåíû èç ôèëüìà) ; Áåëàÿ äîðîãà ; Êîðîëåâà íîæåé è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãåéìàí Í., Ñêàíäèíàâñêèå áîãè. [ôàíòàñòè÷åñêèé ðîìàí] — 2018 (Ìàñòåðà ìàãè÷åñêîãî ðåàëèçìà)

Âçãëÿíèòå íà ñåâåðíóþ ìèôîëîãèþ ãëàçàìè ñàìîãî èçâåñòíîãî ñêàçî÷íèêà ñîâðåìåííîñòè! Ñîçäàíèå äåâÿòè ìèðîâ, èñòîðèè î âåëèêèõ áîãàõ, èñêóñíûõ ìàñòåðàõ-êàðëèêàõ è ìîãó÷èõ âåëèêàíàõ, è, êîíå÷íî, Ðàãíàð¸ê, Ñóìåðêè áîãîâ - ãèáåëü âñåãî ñóùåãî è îäíîâðåìåííî - âîçðîæäåíèå íîâîãî âðåìåíè è ÷åëîâå÷åñòâà: Ìàñòåð ñëîâíî âäûõàåò íîâóþ æèçíü â èñòîðèè ñåäîé ñòàðèíû, çàñòàâëÿÿ ÷èòàòåëåé ñ çàìèðàíèåì ñåðäöà ñëåäèòü çà ïåðñîíàæàìè ñêàíäèíàâñêèõ ìèôîâ - âîñõèùàòüñÿ èõ ïîäâèãàìè, óæàñàòüñÿ èõ êîâàðñòâó, âìåñòå ñ íèìè ãîðåâàòü è ðàäîâàòüñÿ. Âû ÷èòàëè "ÀÌÅÐÈÊÀÍÑÊÈÕ ÁÎÃÎÂ"? Òîãäà âàì, áåçóñëîâíî, ïîíðàâÿòñÿ è "Ñêàíäèíàâñêèå áîãè"!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãåéìàí Í., Ñêàíäèíàâñêèå áîãè. [ôàíòàñòè÷åñêèé ðîìàí] — 2017 (Ìàñòåðà ìàãè÷åñêîãî ðåàëèçìà)

Âçãëÿíèòå íà ñåâåðíóþ ìèôîëîãèþ ãëàçàìè ñàìîãî èçâåñòíîãî ñêàçî÷íèêà ñîâðåìåííîñòè! Ñîçäàíèå äåâÿòè ìèðîâ, èñòîðèè î âåëèêèõ áîãàõ, èñêóñíûõ ìàñòåðàõ-êàðëèêàõ è ìîãó÷èõ âåëèêàíàõ, è, êîíå÷íî, Ðàãíàð¸ê, Ñóìåðêè áîãîâ - ãèáåëü âñåãî ñóùåãî è îäíîâðåìåííî - âîçðîæäåíèå íîâîãî âðåìåíè è ÷åëîâå÷åñòâà: Ìàñòåð ñëîâíî âäûõàåò íîâóþ æèçíü â èñòîðèè ñåäîé ñòàðèíû, çàñòàâëÿÿ ÷èòàòåëåé ñ çàìèðàíèåì ñåðäöà ñëåäèòü çà ïåðñîíàæàìè ñêàíäèíàâñêèõ ìèôîâ - âîñõèùàòüñÿ èõ ïîäâèãàìè, óæàñàòüñÿ èõ êîâàðñòâó, âìåñòå ñ íèìè ãîðåâàòü è ðàäîâàòüñÿ. Âû ÷èòàëè "ÀÌÅÐÈÊÀÍÑÊÈÕ ÁÎÃÎÂ"? Òîãäà âàì, áåçóñëîâíî, ïîíðàâÿòñÿ è "Ñêàíäèíàâñêèå áîãè"!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., Norse Mythology — 2017

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a rendition of the great northern tales. Here Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., American Gods — 2017

Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life. But just days before his release, Laura and Shadow—s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday. A trickster and rogue, Wednesday seems to know more about Shadow than Shadow does himself. Life as Wednesday—s bodyguard, driver, and errand boy is far more interesting and dangerous than Shadow ever imagined — it is a job that takes him on a dark and strange road trip and introduces him to a host of eccentric characters whose fates are mysteriously intertwined with his own. Along the way Shadow will learn that the past never dies; that everyone, including his beloved Laura, harbors secrets; and that dreams, totems, legends, and myths are more real than we know. Ultimately, he will discover that beneath the placid surface of everyday life a storm is brewing — an epic war for the very soul of America — and that he is standing squarely in its path.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., Chus Day at the Beach — 2016

Chu and his family are going to the beach! Chu is excited. He will get to play in the sand and wade in the water. But what will happen if Chu sneezes at the beach? And what will happen if he doesn't?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., The View from the Cheap Seats — 2016

Welcome to the conversation. Neil Gaiman fled the land of journalism to find truths through storytelling and sanctuary in not needing to get all the facts right. Of course, the real world continued to make up its own stories around him, and he has responded over the years with a wealth of ideas and introductions, dreams and speeches. "The View from the Cheap Seats" will draw you in to these exchanges on making good art and Syrian refugees, the power of a single word and playing the kazoo with Stephen King, writing about books, comics and the imagination of friends, being sad at the Oscars and telling lies for a living. Here "we can meet the writer full on" (Stephen Fry) as he opens our minds to the people he admires and the things he believes might just mean something - and makes room for us to join the conversation too.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., Trigger Warning — 2015

As I sit to write this review, I can—t help but wonder: why am I trying to review a Gaiman book? We all know his writing. We all know how deliciously creepy and wonderfully thoughtful he can be. We all know Gaiman is a genre of his own and that you can never go wrong with a book of his. You don—t need words to describe his work or recommend it to friends. You just pick a book, put it on a friend—s hands and say: —It—s Gaiman. He—s a genius. You—ll love it. Read it.— That—s it.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., Stardust — 2013

Life moves at a leisurely pace in the tiny town of Wall - named after the imposing stone barrier which separates the town from a grassy meadow. Here, young Tristran Thorn has lost his heart to the beautiful Victoria Forester and for the coveted prize of her hand, Tristran vows to retrieve a fallen star and deliver it to his beloved. It is an oath that sends him over the ancient wall and into a world that is dangerous and strange beyond imagining... This title includes extra material exclusive to Headline Review's edition.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., The Graveyard Book — 2008

After his family are killed, Bod is brought up in a graveyard by ghosts — an array of century-spanning characters who care for him, impart wisdom and even teach body-fading skills. But Bod sometimes goes beyond the graveyard into the world of the living — and here his life is under threat from the sinister man Jack, who has pursued him since he was a baby. Bestselling author Neil Gaiman offers up a wonderful story of life, death and coming-of-age in this book, which won the Booktrust Teenage Prize. The fabulously original story is full of humour and surprise and has a brilliantly engaging hero in Bod. Gaiman blends together the poetic, the resonant and the gruesome and Chris Riddell—s illustrations confirm the delicious sense of unsettling people and presences that run throughout.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Pratchett T., Good Omens. the Nice and a Accurate Prophecies of Agnes Nutter, Witch — 2006

According to the Nice and Accurate Prophecies of Agnes Nutter - the world's only totally reliable guide to the future - the world will end on a Saturday. Next Saturday, in fact. Just after tea... People have been predicting the end of the world almost from its very beginning, so it—s only natural to be sceptical when a new date is set for Judgement Day. This time though, the armies of Good and Evil really do appear to be massing. The four Bikers of the Apocalypse are hitting the road. But both the angels and demons — well, one fast-living demon and a somewhat fussy angel — would quite like the Rapture not to happen. And someone seems to have misplaced the Antichrist...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., Anansi Boys — 2005

Fat Charlie Nancy is not actually fat. He was fat once but he is definitely not fat now. No, right now Fat Charlie Nancy is angry, confused and more than a little scared — right now his life is spinning out of control, and it is all his dad's fault. If his rotter of an estranged father hadn't dropped dead at a karaoke night, Charlie would still be blissfully unaware that his dad was Anansi the spider god. He would have no idea that he has a brother called Spider, who is also a god. And there would be no chance that said brother would be trying to take over his life, flat and fiancee, or, to make matters worse, be doing a much better job of it than him. Desperate to reclaim his life, Charlie enlists the help of four more-than-slightly eccentric old ladies and their unique brand of voodoo — and between them they unleash a bitter and twisted force to get rid of Spider. But as darkness descends and badness begins is Fat Charlie Nancy going to get his life back in one piece or is he about to enter a whole netherworld of pain?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., Spawn. Angela's Hunt — 2000

A highly skilled hunter, Angela has been ordered to stand trial for treason. Always considered an angel of honor and integrity, her friends disbelieve the charges and set about uncovering evidence to refute them.They recruit Spawn, and Earth-bound soldier of Hell whom Angela last hunted, to go before the judge. However, when Angela and Spawn last met, Angela was the hunter and Spawn her quarry; she the attacker and he on the defensive. They were an even match, neither able to best the other. Now, the tables are turned and Angela must ask her prey to defend her in a court where mercy is never an option. With her life at stake, can Angela trust and depend on the very enemy she tried to kill?Âûñîêîêâàëèôèöèðîâàííîìó îõîòíèêó Àíäæåëå ïðèêàçàëè ïðåäñòàòü ïåðåä ñóäîì çà ãîñóäàðñòâåííóþ èçìåíó. Âñåãäà ñ÷èòàâøàÿñÿ àíãåëîì ÷åñòè è íåïîäêóïíîñòè, åå äðóçüÿ íå âåðÿò îáâèíåíèÿì è ïðèñòóïàþò ê ïîèñêó äîêàçàòåëüñòâ, îïðîâåðãàþùèõ èõ.Îíè âåðáóþò Ñïàóíà è ïðèêîâàííîãî ê Çåìëå ñîëäàòà Àäà, íà êîòîðîãî Àíäæåëà â ïîñëåäíèé ðàç îõîòèëàñü, ÷òîáû ïðåäñòàòü ïåðåä ñóäüåé. Îäíàêî, êîãäà Àíäæåëà è Ñïàóí âñòðå÷àëèñü â ïîñëåäíèé ðàç, Àíäæåëà áûëà îõîòíèöåé, à Ñïàóí - åå äîáû÷åé; îíà íàïàäàëà, à îí çàùèùàëñÿ. Îíè áûëè ðîâíåé, è íè îäèí èç íèõ íå ìîã ïðåâçîéòè äðóãîãî. Òåïåðü âñå ïîìåíÿëîñü, è Àíäæåëà äîëæíà ïîïðîñèòü ñâîþ æåðòâó çàùèùàòü åå â ñóäå, ãäå ìèëîñåðäèå íèêîãäà íå ÿâëÿåòñÿ âàðèàíòîì. Êîãäà íà êàðòó ïîñòàâëåíà åå æèçíü, ìîæåò ëè Àíäæåëà äîâåðÿòü òîìó ñàìîìó âðàãó, êîòîðîãî îíà ïûòàëàñü óáèòü, è çàâèñåòü îò íåãî?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

McFarlane T., Spawn. Volume 2. Dark Discoveries — 1999 (Spawn Universe #2)

Al Simmons, formerly one of our government`s greatest soldiers, was resurrected from the ashes of his own grave. Reborn as a creature from the depths of Hell, disfigured, homeless, and alone, this new warrior known as Spawn now wanders the shadowy alleys of New York City in search of his past life. When he reluctantly becomes a protector of the weak, the poor, the downtrodden and other victims of circumstance who reside in the alleys, they unconditionally accept the man whose body is nothing more than scars and torn flesh. However, soon he inadvertently finds himself embroiled in turf wars with the Mafia and the street gangs who perceive him as a threat. Find out why Spawn exists, who his real enemies are, and whom he can trust, for in this twisted world of shadow players, nothing is as it appears.Ýë Ñèììîíñ, â ïðîøëîì îäèí èç âåëè÷àéøèõ ñîëäàò íàøåãî ïðàâèòåëüñòâà, áûë âîñêðåøåí èç ïåïëà ñâîåé ñîáñòâåííîé ìîãèëû. Âîçðîæäåííûé êàê ñóùåñòâî èç ãëóáèí Àäà, èçóðîäîâàííûé, áåçäîìíûé è îäèíîêèé, ýòîò íîâûé âîèí, èçâåñòíûé êàê Ñïàóí, òåïåðü áðîäèò ïî òåìíûì ïåðåóëêàì Íüþ-Éîðêà â ïîèñêàõ ñâîåé ïðîøëîé æèçíè. Êîãäà îí íåîõîòíî ñòàíîâèòñÿ çàùèòíèêîì ñëàáûõ, áåäíûõ, çàáèòûõ è äðóãèõ æåðòâ îáñòîÿòåëüñòâ, æèâóùèõ â ïåðåóëêàõ, îíè áåçîãîâîðî÷íî ïðèíèìàþò ÷åëîâåêà, ÷üå òåëî ïðåäñòàâëÿåò ñîáîé íå ÷òî èíîå, êàê øðàìû è ðàçîðâàííóþ ïëîòü. Îäíàêî âñêîðå îí íåïðåäíàìåðåííî îêàçûâàåòñÿ âòÿíóòûì â ìåæäîóñîáíûå âîéíû ñ ìàôèåé è óëè÷íûìè áàíäàìè, êîòîðûå âîñïðèíèìàþò åãî êàê óãðîçó. Óçíàéòå, ïî÷åìó Ñïàóí ñóùåñòâóåò, êòî åãî íàñòîÿùèå âðàãè è êîìó îí ìîæåò äîâåðÿòü, èáî â ýòîì èçâðàùåííîì ìèðå òåíåâûõ èãðîêîâ âñå íå òàê, êàê êàæåòñÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., Trigger Warning. short fictions and disturbances — 2015

As I sit to write this review, I can—t help but wonder: why am I trying to review a Gaiman book? We all know his writing. We all know how deliciously creepy and wonderfully thoughtful he can be. We all know Gaiman is a genre of his own and that you can never go wrong with a book of his. You don—t need words to describe his work or recommend it to friends. You just pick a book, put it on a friend—s hands and say: —It—s Gaiman. He—s a genius. You—ll love it. Read it.— That—s it.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., Neverwhere. the author's preferred text — 2013

Richard Mayhew is a plain man with a good heart - and an ordinary life that is changed forever on a day he stops to help a girl he finds bleeding on a London sidewalk. From that moment forward he is propelled into a world he never dreamed existed - a dark subculture flourish in abandoned subway stations and sewer tunnels below the city - a world far stranger and more dangerous than the only one he has ever known... Richard Mayhew is a young businessman with a good heart and a dull job. When he stops one day to help a girl he finds bleeding on a London sidewalk, his life is forever altered, for he finds himself propelled into an alternate reality that exists in a subterranean labyrinth of sewer canals and abandoned subway stations below the city. He has fallen through the cracks of reality and has landed somewhere different, somewhere that is Neverwhere.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ïðàò÷åòò Ò., Áëàãèå çíàìåíèÿ — 2015 (Òåððè Ïðàò÷åòò)

Âðåìÿ ïðèøëî. Ôèíàëüíàÿ ñõâàòêà ìåæäó ñèëàìè Äîáðà è Çëà. Êîíåö Âñåãî. È Àíòèõðèñò, äèòÿ Êíÿçÿ Òüìû, áûë ïîñëàí íà çåìëþ. Íå ëè÷íî Êíÿçåì Òüìû, åñòåñòâåííî. Äëÿ ýòîãî ñóùåñòâóþò èñïîëíèòåëè. Òàê ñêàçàòü, äåìîíû — è àíãåëû — ïîëåâûå àãåíòû. Ñàìûå îïûòíûå. Ñàìûå âåðíûå. Ñàìûå ñàìûå. Ñîáñòâåííî, ðàäè ýòîãî ìîìåíòà àãåíòû òûñÿ÷åëåòèÿìè âåëè ñðàæåíèÿ çà äóøè íà Çåìëå.  Êîíöå Ñâåòà ñàì ñìûñë èõ ñóùåñòâîâàíèÿ. È âîò ïðåä íèìè ðàñêðûëèñü ñèÿþùèå ïðåñïåêòèâû. Àíãåëó — âå÷íîñòü â ðàþ — ïîä ìóçûêó àðô. Èñêëþ÷èòåëüíî àðô. Íè åäèíîé ãèòàðû. Èëè äàæå ãîáîÿ. À àíãåë êàê-òî ïðèâûê óæå, çíàåòå, ê õîðîøåìó. À óæ äåìîíó, ñîâðåìåííîìó, ñ ìîáèëüíèêîì, íà ñîâåðøåííî ïèæîíñêîì Áåíòëè 56 ãîäà âûïóñêà — åìó ïåðñïåêòèâêà ïðîâåñòè îñòàòîê âå÷íîñòè, ïîäáðàñûâàÿ ëîïàòîé óãîëåê ê êîòëàì ãðåøíèêîâ — õóæå ñâÿòîé âîäû ïîä íîãòè. À íè÷åãî íå ïîäåëàåøü... Èëè âñå-òàêè ïîïðîáîâàòü?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Gaiman N., . Absolute Sandman Volume 2 — 2007

DC Comics Absolute Edition is a series of archival quality printings of graphic novels published by DC Comics and its imprints WildStorm Productions and Vertigo. Each is presented in a hardcover, dustjacketed and slipcased edition with cloth bookmark consisting of one or more books which include restored, corrected and recolored versions of the original work, reprinted at 8 inches by 12 inches. Also included are supplemental materials regarding the creation of the work, including sketches, comic scripts and memos

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ