Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Funkadelic, Mommy, What's a Funkadelic? — ñîð.2008

Ñîäåðæàíèå: Mommy, What's a Funkadelic?; Good Old Music; What Is Soul / George Clinton. Bet You (released as a single: Westbound 150) / George Clinton, Sidney Barnes, Theresa Lindsey. Music for My Mother (released as a single: Westbound 148)/ George Clinton, Edward Hazel, William Nelson. I Got a Thing, You Got a Thing, Everybody's Got a Thing (released as a single: Westbound 158) / Clarence Haskins. Qualify and Satisfy /George Clinton, Edward Hazel

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Øåðèíã Ä., Shades of Shearing: Äæàçîâûå ïðîèçâåäåíèÿ: äëÿ ôîðòåïèàíî — ñîð.1960

Ñîäåðæàíèå: Blue Malibu; Brainwave; From Rags to Richards; Easy; Night Flight; Carnegie Horizons; Magic; Basic English

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãåîðãèé Ôëîðîâñêèé - ñâÿùåííîñëóæèòåëü, áîãîñëîâ, ôèëîñîô. [ñáîðíèê. ïåð. ñ àíãë.] — á.ã. (1995)

Ïîäðîáíàÿ èíôîðìàöèÿ

Jazz and Blues: Stars & Hits - The Ultimate Songbook Collection: arranged for Piano / Vocal / Guitar — 2009 (Stars & Hits)

Ñîäåðæàíèå: Alexander's Ragtime Band / Bessie SMITH. Begin The Beguine; Bewitched; Embraceable You; Love Walked In; Oh, Lady Be Good!; The Man I Love; Witchcraft / Ella FITZGERALD. Cheek To Cheek / Louis ARMSTRONG. Don't Let Me Be Misunderstood; I Put A Spell On You; Love Me Or Leave Me; Mood Indigo; My Baby Just Cares For Me; Ne Me Quitte Pas: (If You Go Away) / Nina SIMONE. Fascinatin' Rhythm / Jamie CULBUM. Home; Lost; Moondance / Michael BUBLE. I Get A Kick Out Of You; I've Got You Under My Skin / Frank SINATRA. I Got Rhythm / Liza MINELLI. I Happen To Like New York; Night And Day / Cole PORTER. I Love Paris / Lil O. Love For Sale / Aretha FRANKLIN. Miss Otis Regrets / Nat KING COLE. Mr. Bojangles / Sammy DAVIES jr. My Funny Valentine / Chet BAKER. 'Round Midnight / Carmen McRAE. Say It Isn`t So / Julie LONDON. Smoke Gets In Your Eyes / The PLATTERS. So In Love / Peggy LEE. Stormy Weather / Dinah WASHINGTON. The Lady Is A Tramp / Rosemary CLOONEY. The Look Of Love / Diana KRALL. What A Difference A Day Made / Sarah VAUGHN

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Songs for you: ïîïóëÿðíûå ïåñíè íà àíãëèéñêîì ÿçûêå — 1996

Ñáîðíèê áóäåò èíòåðåñåí âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê è ëþáèò ìóçûêó — äåòÿì è âçðîñëûì.  íåãî âêëþ÷åíû ïåñíè èç çíàìåíèòûõ ìóëüòôèëüìîâ Óîëòà Äèñíåÿ, ìþçèêëîâ, èç ðåïåðòóàðà ãðóïïû "Beatles" è äðóãèõ àìåðèêàíñêèõ è àíãëèéñêèõ ïîïóëÿðíûõ èñïîëíèòåëåé

Ñîäåðæàíèå: Who's Afraid of the Big Bad Wolf?: from Walt Disney`s "Thee Little Pigs" / Frank Churchill, lyric by A. Ronell. Winnie the Pooh: from Walt Disney`s "Winnie the Pooh and the Honey Tree"; Chim Chim Cher-ee: from Walt Disney`s: "Mary Poppins" / words and music by Richard M. Sherman and Robert B. Sherman. Some Day My Prince Will Come, Heigh-Ho: from Walt Disney`s: "Snow White and the Seven Dwarfs" / Frank Churchill, words by L. Morey. You Can Fly!: from Walt Disney`s: "Peter Pan" / Sammy Fain, words by S. Cahn. Mickey Mouse March: from Walt Disney`s TV Series "Mickey Mouse Club" / words and music by Jimme Dodd.Where is Love?: from "Oliver" / words and music by L. Bart. America the Beautiful / Samuel A. Ward (originally the humn "Materna"), words by K.L. Bates. Where Have All the Flowers Gone / words and music by Pete Seeger. Ets.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Tahtaras G., American military empire — 1971

Ïîäðîáíàÿ èíôîðìàöèÿ

Sava G., They Come by Appointment — 1963

Presented to your attention is the book by George Sava "They Come by Appointment"

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Vaizey G., Or by Default — 1957

Presented to your attention is the book by George Vaizey "Or by Default"

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Beethoven L. van, Duos pour Piano et Violon: Sonate IX: in A dur: Op. 47 — 1905 (Collection Litolff)

Âëàäåëü÷åñêèé êîíâîëþò îáúåäèíÿåò 17 èçäàíèé ïîïóëÿðíûõ ïðîèçâåäåíèé ðóññêèõ è çàðóáåæíûõ êîìïîçèòîðîâ äëÿ ñêðèïêè â ñîïðîâîæäåíèè ôîðòåïèàíî, âûïóùåííûõ â êîíöå 19 - íà÷àëå 20 ââ. èçäàòåëüñòâàìè Ã. Ëèòîëüôôà, Ï. Þðãåíñîíà, À. Ãóòõåéëÿ, À. Çåéâàíãà è äð.Ñîíàòà — 9: ñî÷. 47: Ëÿ ìàæîð (ôðàãìåíò) / Ë. Áåòõîâåí. Ñåðåíàäà: ñî÷. 30 — 2: Ñîëü ìàæîð / À. Àðåíñêèé. Ôàóñò: Ïðîèçâåäåíèÿ äëÿ ñêðèïêè â ñîïðîâîæäåíèè ôîðòåïèàíî. Ôàíòàçèÿ ïî ìîòèâàì îïåðû Ø. Ãóíî "Ôàóñò": ñî÷. 106 / Æ. Á. Ñèíæåëå. Àðèoçî Ïàÿöû: èç äðàìû "Ïàÿöû" / Ð. Ëåîíêàâàëëî. Êàâàòèíà: ñî÷. 85 — 3 / É. Ðàôô. Ñëàâÿíñêàÿ êîëûáåëüíàÿ: ñî÷. 11 / Ôð. Íåðóäà. Ïîêîðíîñòü: ñî÷. 59 / Ø. Äàíêëÿ. Êîëûáåëüíàÿ: èç îïåðû "Æîñåëèí" / Á. Ãîäàð. Ãðóñòíàÿ ïåñíÿ: äëÿ ñêðèïêè â ñîïðîâîæäåíèè ôîðòåïèàíî / Ì. Ëåâèí. Êîëûáåëüíàÿ: ñî÷. 16: äëÿ ñêðèïêè èëè âèîëîí÷åëè [â ñîïðîâîæäåíèè ôîðòåïèàíî] / Ã. Ôîðå. Ñåðåíàäà / Ô. Äðäëà. Àëëåãðåòòî: ñî÷. 24 — 3 / Ã. Ïàíòèëüîí. Ìåëîäèè Ôð. Øóáåðòà â ïåðåëîæåíèè äëÿ ñêðèïêè è ôîðòåïèàíî Ì. Õàóçåðà. — 25. Ëåñíîé öàðü / Ô. Øóáåðò. Ñåðåíàäà / Ñ. Äàéê. Ìàäðèãàë: ñî÷. 26 / À. ä'Àìáðîçèî. Ïðîñòîå ïðèçíàíèå / Ô. Òîìå. Äâå ìåëîäèè: (Ôà ìàæîð è Ñè ìàæîð): äëÿ ôîðòåïèàíî: ñî÷. 3. Ìåëîäèÿ Ôà ìàæîð: â ïåðåëîæåíèè äëÿ ñêðèïêè è ôîðòåïèàíî / Ë. Àóýð.

Ñîäåðæàíèå: Sonate 9: in A dur: Op. 47: [ôðàãìåíò]/ L. van Beethoven. Serenade: G dur: Op. 30 — 2/ A. Arensky. Faust. Opera de Gounod: Fantasie: Op. 106/ J.B. Singelee. Àðioçî Ïàÿöû: èçú äðàìû "Ïàÿöû"/ Ð. Ëåîíêàâàëëî. Cavatina: Op. 55 — 3/ J. Raff. Berceuse slave: Op. 11/ Fr. Neruda. Resignation: Op. 59/ Ch. Dancla. Berceuse de Joselyn/ B. Godard. Chanson triste/ M. Levine. Berceuse: Op. 16/ G. Faure. Serenade/ F. Drdla. È äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Sand G., La mare au diable — [Á.ã.]

Ðîìàí "×åðòîâî áîëîòî" ôðàíöóçñêîé ïèñàòåëüíèöû Æîðæ Ñàíä

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Moss H., You can't take it with you — [cop.1937]

Ïüåñà «Ñ ñîáîé íå óíåñ¸øü» àìåðèêàíñêîãî äðàìàòóðãà è òåàòðàëüíîãî ðåæèññåðà Ìîññà Õàðòà (1904-1961), èçâåñòíîãî ñâîèìè ìóçûêàëüíûìè ïîñòàíîâêàìè íà Áðîäâåå. Ïüåñà áûëà íàïèñàíà â 1936 ãîäó è ýêðàíèçèðîâàíà ðåæèññåðîì Ôðýíêîì Êàïðîé ïî ñöåíàðèþ Ã. Êàóôìàíà è Ì. Õàðòà â 1938 ã. Ñþæåò:Òîíè — ñûí îäíîãî èç ñàìûõ áîãàòûõ âîðîòèë áèçíåñà â Íüþ-Éîðêå âëþáë¸í â Àëèñó — ïðîñòóþ äåâóøêó ñåêðåòàðÿ è ìîëîäûå õîòÿò îáâåí÷àòüñÿ. Îäíàêî ýêñöåíòðè÷íîå ïîâåäåíèå ðîäñòâåííèêîâ è äðóçåé áóäóùåé íåâåñòû íàâîäèò ðîäèòåëåé æåíèõà íà ìûñëü, ÷òî ó íèõ ñ ãîëîâàìè íå âñ¸ â ïîðÿäêå. Èõ äîì — ýòî êëóá ïî èíòåðåñàì «ãîðîäñêèõ ñóìàñøåäøèõ». Ìàòü Àëèñû — Ïåííè ïèøåò ïüåñû, ïîòîìó ÷òî ïèøóùóþ ìàøèíêó êîãäà-òî äîñòàâèëè â èõ äîì ïî îøèáêå. Ÿ áåçäàðíàÿ ñåñòðà Ýññè ãðåçèò áàëåòîì è áåð¸ò óðîêè òàíöà ó ñóìàñøåäøåãî ðóññêîãî ïî èìåíè Áîðèñ Êîëåíêîâ, êîòîðûé íå ïðî÷ü îòîáåäàòü çà ÷óæîé ñ÷¸ò. Ïàïà ñ äðóçüÿìè Àëèñû òðàòèò âñ¸ ñâî¸ âðåìÿ, ñîçäàâàÿ ôåéåðâåðêè è çàïóñêàÿ èõ ïðÿìî â äîìå. Íî áîëüøå âñåõ îòëè÷àåòñÿ ýêñöåíòðè÷íûì ïîâåäåíèåì äåäóøêà, êîòîðûé îòêàçûâàåòñÿ ïëàòèòü íàëîãè ïî óáåæäåíèÿì. Âåñü ýòîò áàëàãàí øóìèò, ïî¸ò, òàíöóåò è ïðûãàåò îäíîâðåìåííî, ïîä àêêîìïàíåìåíò ãóáíîé ãàðìîíèêè äåäóøêè è êñèëîôîíà ìóæà Ýññè, ìåøàÿ äåëàòü áîëüøîé áèçíåñ êîðïîðàöèè Ýíòîíè Ï. Êèðáè — îòöà Òîíè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Shakespeare W., Julius Caesar — [cop.1929]

"Þëèé Öåçàðü" — òðàãåäèÿ Øåêñïèðà (1599), èçîáðàæàþùàÿ çàãîâîð ïðîòèâ Þëèÿ Öåçàðÿ è åãî óáèéñòâî Áðóòîì; â íåé äåéñòâóåò òàêæå áîëüøîå êîëè÷åñòâî èñòîðè÷åñêèõ ïåðñîíàæåé òîãî âðåìåíè. Õîòÿ çàãëàâíûé ïåðñîíàæ — Öåçàðü, îí íå èãðàåò áîëüøîé ðîëè â ïüåñå, ïîÿâëÿåòñÿ âñåãî íåñêîëüêî ðàç è ãèáíåò â íà÷àëå òðåòüåãî àêòà. Öåíòðàëüíàÿ ôèãóðà — Áðóò, â êîòîðîì áîðþòñÿ òàêèå ÷óâñòâà, êàê ÷åñòü, ïàòðèîòèçì è äðóæáà

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Silas Marner, the weaver of Raveloe — [cop.1927]

Ïîñëåäíèé «àâòîáèîãðàôè÷åñêèé» ðîìàí Ýëèîò «Ñàéëåñ Ìàðíåð: Òêà÷ èç Ðàâåëëà » - càìûé ïðåäìåòíûé èç åå «ñåëüñêèõ» ðîìàíîâ, ãåðîè êîòîðîãî æèâóò óáåäèòåëüíîé â ãëàçàõ ÷èòàòåëÿ æèçíüþ, èõ îêðóæàåò êîíêðåòíûé, óçíàâàåìûé ìèð

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ýëåêòðîííàÿ âåðñèÿ:  

Ïîäðîáíàÿ èíôîðìàöèÿ

Byron G.G., Byron's Childe Harold (canto IV). Prisoner of chillon — [cop.1911] (Eclectic Englis Classics)

Ñáîðíèê ïðîèçâåäåíèé Áàéðîíà

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Shakespeare W., As you like it — [cop.1908] (The new Hudson Shakespeare)

Îäíà èç ðàííèõ êîìåäèé Óèëüÿìà Øåêñïèðà «Êàê âàì ýòî ïîíðàâèòñÿ» èëè «Êàê âàì óãîäíî».Ïðåäïîëîæèòåëüíî áûëà ñîçäàíà â 1599 èëè 1600 ãîäó, îäíàêî îïóáëèêîâàíà ëèøü â òàê íàçûâàåìîì «Ïåðâîì ôîëèî». Ñþæåò ïüåñû îñíîâàí íà ïàñòîðàëüíîì ðîìàíå Òîìàñà Ëîäæà «Ðîçàëèíäà». Èìåííî â ýòî ïðîèçâåäåíèå âõîäèò îäèí èç ñàìûõ èçâåñòíûõ è íàèáîëåå ÷àñòî öèòèðóåìûõ øåêñïèðîâñêèõ ìîíîëîãîâ: «Âåñü ìèð — òåàòð». íàñòîÿùåå âðåìÿ ðàñïðîñòðàíåíî ïî êðàéíåé ìåðå 6 ïåðåâîäîâ ïüåñû íà ðóññêèé ÿçûê: Ï.È. Âåéíáåðãà (1867), Ò.Ë. Ùåïêèíîé-Êóïåðíèê (1937), Â.Â. Ëåâèêà, Þ.È. Ëèôøèöà (1991), Î.Ï. Ñîðîêè è À.Â. Ôëîðè. Íàèáîëåå ïîïóëÿðíûìè ÿâëÿþòñÿ êëàññè÷åñêèå âàðèàíòû Âåéíáåðãà è Ùåïêèíîé-Êóïåðíèê, âîøåäøèå â îñíîâíûå ðóññêîÿçû÷íûå ñîáðàíèÿ ñî÷èíåíèé Øåêñïèðà

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ýëåêòðîííàÿ âåðñèÿ:  

Ïîäðîáíàÿ èíôîðìàöèÿ

Ýðà ñâèíãà: ïîïóëÿðíûå ìåëîäèè: [äëÿ ãîëîñà â ñîïðîâîæä. ôîðòåïèàíî] — [2000]

Ñîäåðæàíèå: Ain't Misbehavin' / T. Waller, H. Brooks, lyr. by A. Razaf. Basin Street Blues / S. Williams. Chattanooga Choo-Choo; Serenade in Blue / H. Warren, lyr. by M. Gordon. Cherokee / R. Noble. Deep Purple / P. De Rose, lyr. by M. Parish. I Can't Get Started / V. Duke, lyr. by I. Gershvin. I'm Gettin' Sentimental over You / G. Bassman, lyr. by N. Washington. I'm Gonna Sit Right Down and Write Myself a Letter / F.E. Ahlert, J. Young. It's Been a Long, Long Time / J. Styne, lyr. by S. Cahn. Laura / D. Raksin, lyr. by J. Mercer. Makin' Whoopee / W. Donaldson, lyr. by G. Kahn. Memories of You / E. Blake, lyr.by A. Razaf. Mood Indigo / D. Ellington, I. Mills, A. Bigard. Moonglow / W. Hudson, E.De Lange, I. Mills. Moonlight Serenade / G. Miller, lyr. by M. Parish. On the Sunny Side of the Street / J. McHugh, lyr. by D. Fields. Sent for You Yesterday (and Here You ComeToday) / J. Rushing, C. Basie, Ed Durham. 'Tain't What You Do (It's the Way That Cha Do It) / Sy Oliver, J. Young.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãåðøâèí Äæ., Ãîëóáàÿ ðàïñîäèÿ: äëÿ ôîðòåïèàíî ñ îðêåñòðîì: ïåðåëîæåíèå äëÿ 2-õ ôîðòåïèàíî — [20--]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Robiller F., Lexikon der Vogelhaltung — [1986]

Ïîäðîáíàÿ èíôîðìàöèÿ

Orhester-Parade. [Âûï. 2]: Moon River — [1983]

Ñîäåðæàíèå: Sunny; Chanson d'amour; Trumpet Blues; Guantanamera; Winchester Cathedral; Summertime; Popcorn; Blueberry Hill; Indian Lady; Moon River è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Conexiuni Bop. FormaËii Sibiene De Jazz — [1979] (Seria Gazz. 15)

Ñîäåðæàíèå: Ursitoarele; Evocžnd Blues-ul; Cercuri; Ecou; Izvoare; Tulnice; Miraj; Nunta; Conexiuni Bop; B³tuta; Muguri Sub Z³pad³; L³ut³reasca

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ