Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ãèëáåðò Ý., Åñòü, ìîëèòüñÿ, ëþáèòü — 2019 (Ñåðèÿ "Book Club")

Ëèç Ãèëáåðò îòïðàâëÿåòñÿ â ïóòåøåñòâèå â Èòàëèþ, Èíäèþ, Èíäîíåçèþ, ÷òîáû îáðåñòè ñåáÿ è íàéòè ðàäîñòü òàì, ãäå íå æäåøü. Ðîìàí «Åñòü, ìîëèòüñÿ, ëþáèòü» ñòàë áåñòñåëëåðîì è â Ðîññèè, è âî âñåì ìèðå. Ýòà ïîçèòèâíàÿ, æèçíåóòâåðæäàþùàÿ è çàõâàòûâàþùàÿ êíèãà ïîäàðèëà âäîõíîâåíèå ìèëëèîíàì ÷èòàòåëåé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., City of Girls — 2019

Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves — and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now eighty-nine years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life — and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., City of Girls — 2019

Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves — and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now eighty-nine years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life — and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., Eat, pray, love. one woman s search for everything across Italy, India and Indonesia — 2018 (Abridged bestseller. Intermediate)

Íåñìîòðÿ íà âñå ñîâðåìåííûå àòðèáóòû æåíñêîãî ñ÷àñòüÿ: óäà÷íîå çàìóæåñòâî, ðîñêîøíûé çàãîðîäíûé äîì, ìíîãîîáåùàþùóþ êàðüåðó - Ýëèçàáåò íå ÷óâñòâóåò ñåáÿ ñ÷àñòëèâîé.  ñòðàñòíîì ñòðåìëåíèè îáðåñòè ðàäîñòü æèçíè è âíóòðåííèé ïîêîé îíà îòïðàâëÿåòñÿ â Èòàëèþ, çàòåì â Èíäèþ è, íàêîíåö, â Èíäîíåçèþ, ãäå åé óäà¸òñÿ ïîíÿòü ñåáÿ è íàéòè ãàðìîíèþ ñ ìèðîì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., Eat, pray, love. one Woman s Search for Everything across Italy, India and Indonesia — 2016 (Abridged bestseller. Intermediate)

Íåñìîòðÿ íà âñå ñîâðåìåííûå àòðèáóòû æåíñêîãî ñ÷àñòüÿ: óäà÷íîå çàìóæåñòâî, ðîñêîøíûé çàãîðîäíûé äîì, ìíîãîîáåùàþùóþ êàðüåðó, Ýëèçàáåò íå ÷óâñòâóåò ñåáÿ ñ÷àñòëèâîé.  ñòðàñòíîì ñòðåìëåíèè îáðåñòè ðàäîñòü æèçíè è âíóòðåííèé ïîêîé îíà îòïðàâëÿåòñÿ â Èòàëèþ, çàòåì â Èíäèþ è, íàêîíåö, â Èíäîíåçèþ, ãäå åé óäà¸òñÿ ïîíÿòü ñåáÿ è íàéòè ãàðìîíèþ ñ ìèðîì.  êíèãå ïðåäñòàâëåí ñîêðàù¸ííûé è àäàïòèðîâàííûé òåêñò óðîâíÿ Intermediate.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., Big Magic. creative living beyond fear — 2016

Readers of all ages and walks of life have drawn inspiration from Elizabeth Gilbert. Now, this beloved author digs deep into her own life to share her wisdom and unique perspective about creativity. With profound empathy and generosity, she ponders the mysterious nature of inspiration, asking us to embrace our curiosity, tackle what we most love and face down what we most fear. Whether we are looking to create art, address challenges in our work, give ourselves permission to embark on a dream long deferred, or simply to infuse our everyday lives with more mindfulness and passion, Big Magic cracks open a world of wonder and joy.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Êóëèíàðíàÿ êíèãà ìîåé ïðàáàáóøêè. êíèãà äëÿ ÷òåíèÿ è íàñëàæäåíèÿ — 2014 (Amazon bestseller. — 1)

Ðàñïàêîâûâàÿ êîðîáêó ñ ñåìåéíûìè öåííîñòÿìè, Ýëèçàáåò Ãèëáåðò îáíàðóæèëà ñòàðóþ ïîâàðåííóþ êíèãó, íàïèñàííóþ åå ïðàáàáóøêîé. Ñ íàñëàæäåíèåì ÷èòàÿ ïîæåëòåâøèå ñòðàíèöû, îíà ïîíÿëà, ÷òî çäåñü ñîáðàíû íå ïðîñòî êóëèíàðíûå ðåöåïòû, íî è ðåöåïòû ñ÷àñòëèâîé æèçíè. Òåïëûå è îñòðîóìíûå ðàññêàçû ïðàáàáóøêè âîçâðàùàþò ÷èòàòåëÿ ê òîé ýïîõå, êîãäà äîìàøíèé óþò è èçûñêàííûå áëþäà áûëè äëÿ ñåìüè ðàäîñòüþ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Åñòü, ìîëèòüñÿ, ëþáèòü — 2014 (The New York Times)

"Åñòü, ìîëèòüñÿ, ëþáèòü" - êíèãà î òîì, êàê ìîæíî íàéòè ðàäîñòü òàì, ãäå íå æäåøü, è êàê íå íóæíî èñêàòü ñ÷àñòüå òàì, ãäå åãî íå áóäåò. Ïî îïðåäåëåíèþ. Ñîâðåìåííàÿ êíèãà î ñîâðåìåííîé æåíùèíå, äëÿ êîòîðîé åñòü, ìîëèòüñÿ, ëþáèòü - çíà÷èò ïîëó÷àòü óäîâîëüñòâèå îò æèçíè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., The Signature of All Things — 2013

Elizabeth Gilbert's first novel in twelve years is an extraordinary story of botany, exploration and desire, spanning across much of the 19th century. The novel follows the fortunes of the brilliant Alma Whittaker (daughter of a bold and charismatic botanical explorer) as she comes into her own within the world of plants and science. As Alma's careful studies of moss take her deeper into the mysteries of evolution, the man she loves draws her in the opposite direction - into the realm of the spiritual, the divine and the magical. Alma is a clear-minded scientist; Ambrose is a Utopian artist. But what unites this couple is a shared passion for knowing - a desperate need to understand the workings of this world, and the mechanism behind of all life. The Signature of All Things is a big novel, about a big century. Exquisitely researched and told at a galloping pace, this story novel soars across the globe - from London, to Peru, to Philadelphia, to Tahiti, to Amsterdam and beyond. It is written in the bold, questing spirit of that singular time. Alma Whittaker is a witness to history, as well as maker of history herself. She stands on the cusp of the modern, with one foot still in the Enlightened Age, and she is certain to be loved by readers across the world.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Êðåïêèå ìóæ÷èíû. [ðîìàí] — 2012

Âîñåìíàäöàòèëåòíÿÿ Ðóò Òîìàñ âåðíóëàñü èç ÷àñòíîé øêîëû äîìîé — íà îäèí èç äâóõ çàòåðÿííûõ â ìîðå îñòðîâîâ, æèòåëè êîòîðîãî äåñÿòèëåòèÿìè âåäóò âîéíó çà îìàðîâûé ïðîìûñåë. Ðîäíûå íàñòàèâàëè íà òîì, ÷òîáû îíà ïðîäîëæèëà ó÷åáó â êîëëåäæå è ïåðååõàëà íà ìàòåðèê, íî óïðÿìàÿ äåâóøêà âñåãäà ìå÷òàëà æèòü ó ìîðÿ â äåðåâíå è çàíèìàòüñÿ ðûáíîé ëîâëåé, êàê åå ïðåäêè. Ê òîìó æå îíà âëþáëåíà â ïàðíÿ ñ âðàæåñêîãî îñòðîâà. Èì íå íà ÷òî íàäåÿòüñÿ, âåäü î ïåðåìèðèè ìåæäó îñòðîâàìè è ðå÷è áûòü íå ìîæåò, íî Ðóò ðåøàåò âçÿòü âñå â ñâîè ðóêè... Îñòðîóìíûé è óâëåêàòåëüíûé ðîìàí î òîì, ÷åìó ìóäðûå æåíùèíû ìîãóò íàó÷èòü êðåïêèõ ìóæ÷èí

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Êðåïêèå ìóæ÷èíû. [ðîìàí] — 2012 (Åñòü, ìîëèòüñÿ, ëþáèòü)

Îñòðîóìíûé è óâëåêàòåëüíûé ðîìàí î òîì, ÷åìó ìóäðûå æåíùèíû ìîãóò íàó÷èòü êðåïêèõ ìóæ÷èí

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Ñàìàÿ ëó÷øàÿ æåíà — 2011 (Pocket&Travel)

Êíèãà àìåðèêàíñêîé ïèñàòåëüíèöû Ýëèçàáåò Ãèëáåðò "Åñòü, ìîëèòüñÿ è ëþáèòü" â îäíî ìãíîâåíèå ïîêîðèëà ðîññèéñêèõ ÷èòàòåëåé. Îíà çíà÷èòñÿ â ñïèñêå áåñòñåëëåðîâ áîëåå ãîäà è ñòàëà àáñîëþòíûì õèòîì ïðîäàæ. Íîâû ñáîðíèê ðàññêàçîâ "Ñàìàÿ ëó÷øàÿ æåíà" ñòàë ïîáåäèòåëåì ïðåñòèæíîé àìåðèêàíñêîé ëèòåðàòóðíîé ïðåìèè è ïîëó÷èë ñàìóþ âûñîêóþ îöåíêó íà ðîäèíå àâòîðà è â ìèðå. Ãèëáåðò âåðíà ñåáå. Ãåðîè åå ðàññêàçîâ íàõîäÿòñÿ â âå÷íîì ïóòåøåñòâèè è âå÷íîì ïîèñêå - ïîèñêå ñåáÿ è ñâîåãî ìåñòà â ìèðå. " ÷åì ñìûñë íàøåãî ïðåáûâàíèÿ íà ýòîé çåìëå?" - ãëàâíûé âîïðîñ, íà êîòîðûé ñî ñâîéñòâåííîé åé òîíêîñòüþ, óìîì è òàëàíòîì îòâå÷àåò Ýëèçàáåò Ãèëáåðò

Ñîäåðæàíèå: Ïàëîìíèêè; Ðàçãîâîð ñ ëîñÿìè; Àëèñà åäåò íà âîñòîê; Ñòðåëüáà ïî ïòèöàì; Áîëüøèå ëþäè; Ïðèçåìëåíèå; Çàáåðèòå ýòèõ ãëóïûõ äåòèøåê; Πìíîãîì, ÷åãî íå çíàë ïÿòíàäöàòèëåòíèé Äýííè Áðàóí; Íàçâàíèÿ öâåòîâ è èìåíà äåâóøåê [è äð.]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., Committed. A Love Story — 2011 (The sequel to the number one bestseller) (Eat, pray, love)

At the end of her memoir Eat, Pray, Love, Elizabeth Gilbert fell in love with Felipe, a Brazilian living in Indonesia. The couple swore eternal love, but also swore (as skittish divorce survivors) never to marry. However, providence intervened in the form of a U.S. government ultimatum: get married, or Felipe could never enter America again. Told with Gilbert's trademark humor and intelligence, this fascinating meditation on compatibility and fidelity chronicles Gilbert's complex and sometimes frightening journey into second marriage, and will enthrall the millions of readers who made Eat, Pray, Love a number one bestseller.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Åñòü, ìîëèòüñÿ, ëþáèòü — 2011 (The New York Times)

"Åñòü, ìîëèòüñÿ, ëþáèòü" - êíèãà î òîì, êàê ìîæíî íàéòè ðàäîñòü òàì, ãäå íå æäåøü, è êàê íå íóæíî èñêàòü ñ÷àñòüå òàì, ãäå åãî íå áóäåò. Ïî îïðåäåëåíèþ. Ñîâðåìåííàÿ êíèãà î ñîâðåìåííîé æåíùèíå, äëÿ êîòîðîé åñòü, ìîëèòüñÿ, ëþáèòü - çíà÷èò ïîëó÷àòü óäîâîëüñòâèå îò æèçíè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Ïîñëåäíèé ðîìàíòèê — 2011 (Åñòü, ìîëèòüñÿ, ëþáèòü)

<Ïîñëåäíèé ðîìàíòèê> - ýòî èñòîðèÿ îá îäíîì àìåðèêàíñêîì ÷óäàêå, êîòîðûé íà öåëûõ äâàäöàòü ëåò ïîñåëèëñÿ â Àïïàëà÷àõ è æèë â äèêèõ óñëîâèÿõ - ñàì âûðàùèâàë ñåáå åäó, âûñåêàë îãîíü èç äâóõ ïàëî÷åê è íîñèë øêóðû óáèòûõ èì æèâîòíûõ. Ýëèçàáåò Ãèëáåðò ðàññêàçûâàåò î ñîâðåìåííîì ðîìàíòèêå, êîòîðûé ðåøèë îñòàâèòü ïðèâû÷íóþ è óäîáíóþ, íî íåíàñòîÿùóþ æèçíü â ãîðîäå

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Ñàìàÿ ëó÷øàÿ æåíà. [ñáîðíèê ðàññêàçîâ] — 2010 (Êîðîòêîå äûõàíèå) (1 New York times bestselling)

Êíèãà àìåðèêàíñêîé ïèñàòåëüíèöû Ýëèçàáåò Ãèëáåðò "Åñòü, ìîëèòüñÿ è ëþáèòü" â îäíî ìãíîâåíèå ïîêîðèëà ðîññèéñêèõ ÷èòàòåëåé. Îíà çíà÷èòñÿ â ñïèñêå áåñòñåëëåðîâ áîëåå ãîäà è ñòàëà àáñîëþòíûì õèòîì ïðîäàæ. Íîâû ñáîðíèê ðàññêàçîâ "Ñàìàÿ ëó÷øàÿ æåíà" ñòàë ïîáåäèòåëåì ïðåñòèæíîé àìåðèêàíñêîé ëèòåðàòóðíîé ïðåìèè è ïîëó÷èë ñàìóþ âûñîêóþ îöåíêó íà ðîäèíå àâòîðà è â ìèðå. Ãèëáåðò âåðíà ñåáå. Ãåðîè åå ðàññêàçîâ íàõîäÿòñÿ â âå÷íîì ïóòåøåñòâèè è âå÷íîì ïîèñêå - ïîèñêå ñåáÿ è ñâîåãî ìåñòà â ìèðå. " ÷åì ñìûñë íàøåãî ïðåáûâàíèÿ íà ýòîé çåìëå?" - ãëàâíûé âîïðîñ, íà êîòîðûé ñî ñâîéñòâåííîé åé òîíêîñòüþ, óìîì è òàëàíòîì îòâå÷àåò Ýëèçàáåò Ãèëáåðò.

Ñîäåðæàíèå: Ïàëîìíèêè; Ðàçãîâîð ñ ëîñÿìè; Àëèñà åäåò íà âîñòîê; Ñòðåëüáà ïî ïòèöàì; Áîëüøèå ëþäè; Ïðèçåìëåíèå; Çàáåðèòå ýòèõ ãëóïûõ äåòèøåê; Πìíîãîì, ÷åãî íå çíàë ïÿòíàäöàòèëåòíèé Äýííè Áðàóí; Íàçâàíèÿ öâåòîâ è èìåíà äåâóøåê [è äð.]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãèëáåðò Ý., Åñòü, ìîëèòüñÿ, ëþáèòü — 2008 (Áåñòñåëëåð "The New York Times")

"Åñòü, ìîëèòüñÿ, ëþáèòü" - êíèãà î òîì, êàê ìîæíî íàéòè ðàäîñòü òàì, ãäå íå æäåøü, è êàê íå íóæíî èñêàòü ñ÷àñòüå òàì, ãäå åãî íå áóäåò. Ïî îïðåäåëåíèþ. ...Ñîâðåìåííàÿ êíèãà î ñîâðåìåííîé æåíùèíå, äëÿ êîòîðîé åñòü, ìîëèòüñÿ, ëþáèòü - çíà÷èò ïîëó÷àòü óäîâîëüñòâèå îò æèçíè...

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., Eat. Pray. Love. one woman s search for everything — 2007

Elizabeth Gilbert—s Eat Pray Love touched the world and changed countless lives, inspiring and empowering millions of readers to search for their own best selves. Now, this beloved and iconic book returns in a beautiful 10th anniversary edition, complete with an updated introduction from the author, to launch a whole new generation of fans. In her early thirties, Elizabeth Gilbert had everything a modern American woman was supposed to want—husband, country home, successful career—but instead of feeling happy and fulfilled, she was consumed by panic and confusion. This wise and rapturous book is the story of how she left behind all these outward marks of success, and set out to explore three different aspects of her nature, against the backdrop of three different cultures: pleasure in Italy, devotion in India, and on the Indonesian island of Bali, a balance between worldly enjoyment and divine transcendence.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., Eat, Pray, Love. one woman s search for everything — 2006

Its 3 a.m. and Elizabeth Gilbert is sobbing on the bathroom floor. Shes in her thirties, she has a husband, a house, theyre trying for a baby - and she doesnt want any of it. A bitter divorce and a turbulent love affair later, she emerges battered and bewildered and realises it is time to pursue her own journey in search of three things she has been missing: pleasure, devotion and balance. So, she travels to Rome, where she learns Italian from handsome, brown-eyed identical twins and gains twenty-five pounds, an ashram in India, where she finds that enlightenment entails getting up in the middle of the night to scrub the temple floor, and Bali where a toothless medicine man of indeterminate age offers her a new path to peace: simply sit still and smile. And slowly happiness begins to creep up on her.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gilbert E., Eat, pray, love. one woman s search for everything — 2006 (Oxford Bookworms Library)

In her early thirties, Elizabeth Gilbert had everything a modern American woman was supposed to want - husband, country home, successful career - but instead of feeling happy and fulfilled, she felt consumed by panic and confusion

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ