Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ãîãîëü Í. Â., Ðèì — 2009

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Aciman A., Twitterature. The World's Greatest Books. Retold Through Twitter — 2009

Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Russian Short Stories from Pushkin to Buida — 2005 (Penguin Classics)

From the reign of the Tsars in the early 19th century to the collapse of the Soviet Union and beyond, the short story has long occupied a central place in Russian culture. Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in reaction to the cruelty of the bourgeoisie, the bureaucracy of communism or the torture of the prison camps, they offer a wonderfully wide-ranging and exciting representation of one of the most vital and enduring forms of Russian literature.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gogol N., The government inspector. comedy in five acts — 2000 (Russian classics)

 äàííîå èçäàíèå âîøëè êîìåäèÿ "Ðåâèçîð" è "Ïåòåðáóðãñêèå ïîâåñòè" ("Íåâñêèé ïðîñïåêò", "Íîñ", "Ïîðòðåò", "Øèíåëü", "Çàïèñêè ñóìàñøåäøåãî") Í.Â. Ãîãîëÿ íà àíãëèéñêîì ÿçûêå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lectures Russes. Classiques du XIXe siecle — 1985 (Lectures Russes)

Les nouvelles et recits du present recueil seront peut-etre, pour les jeunes lecteurs, une prise de contact avec la prose russe du XIXe siecle, qui les conduira, esperons-le, a l'univers grandiose des romans de Tourgueniev et de Gontcharov, de Tolstoi et de Dostoievski, a la mordante satire de Saltykov-Chtchedrine.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Goldoni, Der Diener zweier Herren. Zehn Komodien Bd.2 — 1969

Komodien aus dem alten Griechenland und dem alten Rom, aus Italien, Spanien,Frankreich,Russland und England, Komodien von Aristophanes bis Shaw.

Ñîäåðæàíèå: Der Diener zweier Herren/Goldoni;Figaros Hochzeit/Beaumarchais;Der Revisor/Gogol; Der Heiratsantrag/Tschechow;Pygmalion/Shaw

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Russian Stories. a Bantam dual-language book. with translations, critical introductions, notes a. vocabulary by the editor — 1961

Twelve superb tales by Chekhov, Tolstoy, Dostoevsky, Pushkin, Bunin, other masters. Excellent word-for-word English translations on facing pages. Also teaching and practice aids, Russian-English vocabulary, biographical/critical introductions to each selection, study questions, more. Especially helpful are the stress accents in the Russian text, usually found only in primers.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãîãîëü Í. Â., Ðèì — 2011

 ñáîðíèê âîøëè ïîâåñòü "Ðèì", "ðèìñêèå ïèñüìà Í. Â. Ãîãîëÿ 1837-1838 ãã, à òàêæå òåêñòû Ï. Ï. Ìóðàòîâà, Â. Â. Âåéäëå è À. À. Êàðà-Ìóðçû, ïîñâÿùåííûå òåìå "Ãîãîëü â Ðèìå"

Ñîäåðæàíèå: Ðèì; Ïèñüìà êí. òàêæå òåêñòû Ï.Ï. Ìóðàòîâà, Â.Â. Âåéäëå è À.À. Êàðà-Ìóðçû, ïîñâÿù. òåìå "Ãîãîëü â Ðèìå"

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gogol N., Les Ames Mortes — 1971

Narrant sur un ton comique les mésaventures d un petit escroc dans la province de l Empire russe des annees 1820, le roman est aussi une troublante dénonciation de la mediocrite humaine et est considere comme une des œuvres maitresses de la littérature russe.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ