Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

James L., The Reckless Afterlife of Harriet Stoker — 2020

What if death is only the beginning? When Harriet Stoker dies after falling from a balcony in a long-abandoned building, she discovers a group of ghosts, each with a special power. Felix, Kasper, Rima and Leah welcome Harriet into their world, eager to make friends with the new arrival after decades alone. Yet Harriet is more interested in unleashing her own power, even if it means destroying everyone around her. But when all of eternity is at stake, the afterlife can be a dangerous place to make an enemy

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

English Poetry. 1918-60 — 1983 (The Penguin Poets)

This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Contemporary Verse. 1918-60 — 1977

The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Contemporary Poetry in America. Essays and Interviews — 1974

The present volume should sere the needs of teachers and students, inside and outside the classroom, who are interested in the current poetry scene and wish to develop a critical apparatus for dealing with the work of a variety of poets.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ