Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ïèê Ì., Òèòóñ îäèí — 2014 (Ãîðìåíãàñò) (Êëàññèêà àíãëèéñêîé ëèòåðàòóðû)

Òðåòüÿ êíèãà èç öèêëà ðîìàíîâ î çàìêå Ãîðìåíãàñò — èñòîðèÿ áåñêîíå÷íûõ ñêèòàíèé Òèòóñà Ãðîàíà. Ïî ïðàâó ðîæäåíèÿ åãî ìåñòî â ýòîì ìèðå îïðåäåëåíî, îí — îëèöåòâîðåíèå âëàñòè, ñòîëü æå áåçãðàíè÷íîé, ñêîëü áåññìûñëåííîé. Ïûòàÿñü îñâîáîäèòüñÿ îò ýòèõ îêîâ, îí óáåãàåò îò ñâîåãî ïðåäíàçíà÷åíèÿ, ïîêèäàåò Çàìîê. Íî ïðèíåñ¸ò ëè ïîáåã æåëàííóþ ñâîáîäó?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Peake M., Titus Alone — 1983 (King Penguin)

Titus, almost 20, flees oppressive Castle Rituals. Lost in a sandstorm, helped by Muzzlehatch owner of traveling zoo and his ex-lover Juno, stranded in big city, arrested for vagrancy, he longs for home. Nobody has heard of Gormenghast, few believe. Titus wants to prove it is real.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Peake M., Gormenghast — 1982 (King Penguin)

Titus Groan is seven years old. Lord and heir to the crumbling castle Gormenghast. A gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, and death. Steerpike, who began his climb across the roofs when Titus was born, is now ascending the spiral staircase to the heart of the castle, and in his wake lie imprisonment, manipulation, and murder. Gormenghast is the second volume in Mervyn Peake—s widely acclaimed trilogy, but it is much more than a sequel to Titus Groan—it is an enrichment and deepening of that book. The Gormenghast Trilogy ranks as one of the twentieth century s most remarkable feats of imaginative writing.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ