Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Pratt M.L., American History Stories. Vol.2 — cop.1910 (Young America)

This is the story of the birth of the nation, the signing of the U.S. Constitution, the War of 1812 and the struggles that followed. Volume Two is a photo-reproduction of an original history book used in 1890 to teach our children the grandeur of the America vision. These pages contain the stories of countless men, women and children who bravely built a new land into the great bastion of freedom we enjoy today.This book contains the history that schools leave out. It is unfortunate that many of the stories of patriotism are set aside today for current events and more recent historical interpretations. In the mad rush to offer a little piece of history from each American era, the truly inspirational events of our Founding Fathers are lost.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ñïðýã äå Êàìï Ë., Ñàìûé ñòðàííûé áàð âî Âñåëåííîé — 2020 (Çâåçäû èíòåëëåêòóàëüíîé ôàíòàñòèêè)

Äîáðî ïîæàëîâàòü â íàñòîÿùèé èðëàíäñêèé ïàá - Áàð Ãàâàãàíà, Ñàìîå Ñòðàííîå Çàâåäåíèå  Îáîçðèìîé Âñåëåííîé! Çäåñü âû íàéäåòå ïîðàçèòåëüíûõ çàâñåãäàòàåâ è ïðîñòî ñëó÷àéíûõ ïîñåòèòåëåé: ëåïðåêîíà èç Èðëàíäèè, âëàäåëüöà ìèíè-äðàêîíà (ëîâöà ìûøåé), âåäüìó, îáîðîòíåé, ðàçëè÷íûõ ìàãîâ è êîëäóíîâ, äðèàä, äóõîâ, íåñêîëüêèõ äåìîíîâ è íàñòîÿùåãî ïîëóáîãà. Âû óñëûøèòå èõ èñòîðèè, áàéêè è àíåêäîòû - ôàíòàñòè÷åñêèå, ñêàçî÷íûå, ìèñòè÷åñêèå, íî âñå îíè îáÿçàòåëüíî ïðîíèêíóòû äîáðûì þìîðîì. Ðîìàí â íîâåëëàõ îò Ëàéîíà Ñïðýãà äå Êàìïà - îäíîãî èç îñíîâàòåëåé æàíðà àëüòåðíàòèâíî-èñòîðè÷åñêîé ôàíòàñòèêè è âåëè÷àéøåãî ìàñòåðà þìîðèñòè÷åñêîé ôýíòåçè!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ïðàòò Ó., Êîðòî Ìàëüòåçå. Áàëëàäà ñîë¸íîãî ìîðÿ — 2017

1913 ãîä, þæíàÿ ÷àñòü Òèõîãî îêåàíà. Äàæå çäåñü, íà äðóãîì êîíöå ñâåòà, íàäâèãàþùàÿñÿ Ïåðâàÿ ìèðîâàÿ âîéíà ãðîçèò ñåðü¸çíî èçìåíèòü ñóùåñòâóþùèé ðàñêëàä ñèë. Òàèíñòâåííûé Ìîíàõ, ãëàâàðü ìîãóùåñòâåííîãî ïèðàòñêîãî ñèíäèêàòà, ñòðåìèòñÿ èçâëå÷ü èç ýòîãî ñâîþ âûãîäó, â ÷¸ì åìó ïîìîãàåò îïûòíûé ìîðÿê Êîðòî Ìàëüòåçå. Îäíàêî âñêîðå ñèòóàöèÿ âûõîäèò èç-ïîä êîíòðîëÿ, à ãðÿíóâøèé ãëîáàëüíûé êîíôëèêò îêîí÷àòåëüíî ïóòàåò êàðòû...  1976 ãîäó ïåðâàÿ êíèãà î ïðèêëþ÷åíèÿõ Êîðòî Ìàëüòåçå "Áàëëàäà ñîë¸íîãî ìîðÿ" ïîëó÷èëà ïðåìèþ â íîìèíàöèè "Ëó÷øåå ïðîèçâåäåíèå èíîñòðàííîãî àâòîðà" íà Ìåæäóíàðîäíîì ôåñòèâàëå êîìèêñîâ â Àíãóëåìå âî Ôðàíöèè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction March — 2005

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction August — 2005

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction January — 2003

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction October/November — 2003

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction April — 2001

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction July — 2001

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ïðàòò Ó., Êîðòî Ìàëüòåçå. Áàëëàäà ñîë¸íîãî ìîðÿ — 2017

1913 ãîä, þæíàÿ ÷àñòü Òèõîãî îêåàíà. Äàæå çäåñü, íà äðóãîì êîíöå ñâåòà, íàäâèãàþùàÿñÿ Ïåðâàÿ ìèðîâàÿ âîéíà ãðîçèò ñåðü¸çíî èçìåíèòü ñóùåñòâóþùèé ðàñêëàä ñèë. Òàèíñòâåííûé Ìîíàõ, ãëàâàðü ìîãóùåñòâåííîãî ïèðàòñêîãî ñèíäèêàòà, ñòðåìèòñÿ èçâëå÷ü èç ýòîãî ñâîþ âûãîäó, â ÷¸ì åìó ïîìîãàåò îïûòíûé ìîðÿê Êîðòî Ìàëüòåçå. Îäíàêî âñêîðå ñèòóàöèÿ âûõîäèò èç-ïîä êîíòðîëÿ, à ãðÿíóâøèé ãëîáàëüíûé êîíôëèêò îêîí÷àòåëüíî ïóòàåò êàðòû...  1976 ãîäó ïåðâàÿ êíèãà î ïðèêëþ÷åíèÿõ Êîðòî Ìàëüòåçå "Áàëëàäà ñîë¸íîãî ìîðÿ" ïîëó÷èëà ïðåìèþ â íîìèíàöèè "Ëó÷øåå ïðîèçâåäåíèå èíîñòðàííîãî àâòîðà" íà Ìåæäóíàðîäíîì ôåñòèâàëå êîìèêñîâ â Àíãóëåìå âî Ôðàíöèè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Phetchai S., Jarogeetaw — 2000 ([Thailand Story])

Do you know about the country named Thailand? Thailand is a country located in the Indo-China peninsula of Southeast Asia. Thailand is very different from our country, even though we are both in Asia. Thailand has different kind of beauty from our country, although our country is beautiful also. Let's appreciate poetry that describes the unique beauty and landscape of Thailand

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Pratt, Periples secrets. Techniques mixtes:1950-1995 — 2009

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Pratt Í., Corto Maltese en Siberie — 2001

Corto Maltese is another famous European comics adventure, not as famous as Tintin or Asterix, but certainly a favorite of many. Italian artist Hugo Pratt created him in the late sixties and wrote and drew his stories (about 16 volumes as far as I can tell) through the late eighties (Pratt died in 1995). Pratt is highly regarded for his drawing style and his literate adventure tales.The stories of his most famous character, Corto Maltese, have been translated into English in the past by NBM, but they are now out of print and often fetching absurd prices. I ended up getting a French translation of one of his books instead.Corto is a rogue adventurer, a sailor of British and Gypsy descent. He is classic of the type where his morals are personal and based more on freedom than any laws. While selfishly inclined to seek out treasure and adventure he is also quick to come to the aid of those who are oppressed. The adventures I have read are often based on the pull of adventure and gain versus doing what he thinks is right, though inevitably he ends up helping some poor soul.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Manara, Un ete Indien — 2010

Milo Manara is one of the few comic artists who manages to make erotic comics and still succeed in keeping a reputation as a genuine artist. This is especially true of his serial, 'Giuseppe Bergman', which is a combination of experimental narrative and explicit sex. Manara is known to be interested in painting in general and the classical painters like Rafael in specific. As a boy, he even ran away from home to see an exhibition of the painter Giorgio di Chirico.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Bailey-Pratt C., Queen of Hearts — 1992

Handsome gambler Sir Carleton Blacklock changed lovely Danita Wingrove's luck for good. It was easy for the generous baronet to pay Danita's debts, for he gained and lost fortunes every day. But Sir Carleton soon found the pretty young miss more than charming-he couldn't lose with Danita at his side! Proud Danita swore she'd pay him back for his loan, if he'd allow it. AAnd she'd gladly serve as his good luck charm-for the chivalrous gambler was winning her heart. But as a plainly dressed companion for her exauisite cousine, Danita could only dream of capturing his affections. Unless Lady Luck stepped in...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Canadian Verse — 1977

This book presents itself as a survey, from the first to the latest, of English-Canadian poetry. The book differs from previous Penguin Anthology, the earlier poets more solidly represented, the periods better balanced. This revised edition, coinciding with Canada's own Centennial, presents a surney of the work done in English by Canadian poets during the past one hundred years.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ïðýòò Ô., Áèòâû, èçìåíèâøèå èñòîðèþ. The battles that changed history — 2004

Ôëåò÷åð Ïðýòò - ïèñàòåëü, ïåðåâîä÷èê è èñòîðèê, ñåðüåçíî èçó÷àâøèé ïåðèîä Ãðàæäàíñêîé âîéíû â ÑØÀ è èñòîðèþ ëåãåíäàðíûõ ñðàæåíèé. Àâòîð êíèãè äîêàçûâàåò, ÷òî ðåøàþùèì ôàêòîðîì, ïîçâîëèâøèì çàïàäíîåâðîïåéñêîé êóëüòóðå ðàñïðîñòðàíèòüñÿ ïî âñåìó ìèðó, ñòàëè âîéíû. Îõâàòûâàÿ ìíîãîâåêîâîé èñòîðè÷åñêèé ïåðèîä, îí ïîäðîáíî ðàññìàòðèâàåò îñíîâíûå ðåøàþùèå áèòâû ñî âðåìåí çàâîåâàíèé Àëåêñàíäðà Ìàêåäîíñêîãî è äî Âòîðîé ìèðîâîé âîéíû, Ïðýòò äåòàëüíî îïèñûâàåò ñàìûå ìåëü÷àéøèå ïîäðîáíîñòè ñðàæåíèé, èçìåíèâøèõ õîä ìèðîâîé èñòîðèè. È âàðèàíòû ðàçâèòèÿ ïîëèòèêè è ýêîíîìèêè âåäóùèõ äåðæàâ â ñëó÷àå äðóãîãî èñõîäà áèòâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ