Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ðåíäåëë Ð., Äðåâî ñêîðáíûõ ðóê. ðîìàí — 2004 (Îïàñíî äëÿ æèçíè)

Ïîñëå âíåçàïíîé ñìåðòè ðåáåíêà â æèçíè Áåíåò íà÷èíàåòñÿ íîâàÿ ñòðàøíàÿ ãëàâà. Ëîæü, ìîøåííè÷åñòâî, ïîõèùåíèå, óáèéñòâî - ïðåñòóïëåíèÿ ìíîæàòñÿ, â õèòðîñïëåòåíèÿ ñþæåòà âòÿíóòû ñîâåðøåííî ïîñòîðîííèå ëþäè. Çàâîðàæèâàþùèé ðîìàí - âïåðâûå íà ðóññêîì ÿçûêå.Ïîñëå âíåçàïíîé ñìåðòè ðåáåíêà â æèçíè Áåíåò, äî÷åðè äóøåâíîáîëüíîé, íà÷èíàåòñÿ íîâàÿ ñòðàøíàÿ ãëàâà. Ëîæü, ìîøåííè÷åñòâî, ïîõèùåíèÿ, óáèéñòâî - ïðåñòóïëåíèÿ ìíîæàòñÿ. Çà ïëîòíî çàêðûòûìè äâåðÿìè ðàçâîðà÷èâàþòñÿ ñåìåéíûå äðàìû, íà ïðåäàííóþ ëþáîâü îòâå÷àþò ïîäëîé èçìåíîé, ôèçè÷åñêîå íàñèëèå - â ïîðÿäêå âåùåé...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Crime Never Pays — 1993 (Oxford Bookworms Collection)

A selection of short stories in the Bookworm Collection series. The texts are neither graded nor adapted, and each book contains biographical information about the authors, notes on the texts, and language activities.Murder: the unlawful, intentional killing of a human being - a terrible crime. But murder stories are always fascinating. Who did it? And how? Or why? And was it murder, or just an unfortunate accident? Who will triumph, the murderer or the detective? This collection contains a wide range of murder stories, from the astute detection of the famous Sherlock Holmes, to the chilling psychology of Ruth Rendell. This collection contains stories by Agatha Christie, Ruth Rendell, Graham Greene, Angela Noel, Dorothy L. Sayers, Sir Arthur Conan Doyle, Margery Allingham, and Patricia Highsmith

Ñîäåðæàíèå: The Companion/Agatha Christie, A Glowing Future/Ruth Rendell, The Case for the Defence/Graham Greene, Ricochet/Angela Noel, The Fountain Plays/Dorothy L. Sayers, The Adventure of the Retired/Sir Arthur Conan Doyle, Three is a Lucky Number/Margery Allingham, Sauce for the Goose/Patricia Highsmith

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Ïîäðîáíàÿ èíôîðìàöèÿ

Rendell R., The thief and other stories. [êíèãà äëÿ ÷òåíèÿ íà àíãëèéñêîì ÿçûêå] — 2014 (Abridged bestseller. Intermediate)

 êíèãå ñîáðàíî íåñêîëüêî ðàññêàçîâ áðèòàíñêîé ïèñàòåëüíèöû Ðóò Ðåíäåëë. Ïðèçíàííàÿ ìàñòåðîì ïñèõîëîãè÷åñêîãî äåòåêòèâà è èñêóñíûì ðàññêàç÷èêîì, îíà óìååò çàâëàäåòü âíèìàíèåì ÷èòàòåëÿ è ïîðàçèòü íåîæèäàííîé ðàçâÿçêîé... Êðàæà âåùåé ó ëþäåé, êîòîðûå êîãäà-ëèáî îáèäåëè Ïîëëè, áûëà ÷åì-òî âðîäå ìåñòè. Îíà äåëàëà ýòî äîâîëüíî ÷àñòî. Ò¸òÿ Ïîëèí, äåâî÷êà â øêîëå, áîéôðåíä, ñ êîòîðûì îíè ðàññòàëèñü, ÷åëîâåê â ñàìîë¸òå, Ïîëëè äåëàëà ýòî âñåãäà. Íî îíà è íå ïðåäïîëàãàëà, ÷òî ó å¸ æåëàíèÿ ìåñòè áóäóò òàêèå ðåçóëüòàòû.  êíèãå ïðåäñòàâëåí ñîêðàù¸ííûé è àäàïòèðîâàííûé òåêñò óðîâíÿ Intermediate. Àäàïòàöèÿ, ñîêðàùåíèå è ñëîâàðü: À.È.Áåðåñòîâà.

Ñîäåðæàíèå: ðàññêàçû: The thief; A case of coincidence; Thornapple; May and June; People don't do such things; The fallen curtain

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Rendell R., Murder Being Once Done — 2010 (A Wexford Case)

A young girl is murdered in a cemetery. And Wexford's doctor has prescribed no alcohol, no rich food and, above all, no police work. When a young girl's body is found in a London cemetery and the local police, under the command of Wexford's nephew, are baffled, Wexford decides to brave his doctor's wrath and the condescension of the London police by doing a little investigating of his own. A compelling story of mysterious identity and untimely death, Murder Being Once Done is Rendell at her most sublime. With her Inspector Wexford novels, Ruth Rendell, winner of the Mystery Writers of America Grand Master Award, has added layers of depth, realism and unease to the classic English mystery. For the canny, tireless, and unflappable policeman is an unblinking observer of human nature, whose study has taught him that under certain circumstances the most unlikely people are capable of the most appalling crimes

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Ïîäðîáíàÿ èíôîðìàöèÿ

Rendell R., The Bridesmaid — 1990

Philip Wardman had more than just the ordinary squeamishness where death was concerned. Yet he could hardly avoid the suspicious disappearance of his sister's friend Rebecca Neave, especially when everyone was ascribing the cause to murder. Philip's feminine ideal is the statue of the Roman goddess Flora in his mother's garden. His marble Flora doesn't fade, doesn't alter, doesn't die. But then he meets Senta Pelham, a beautiful, sensual, childlike actress and a living incarnation of the statue. The two embark on a passionate affair that soon becomes dangerous when Senta sets Philip a test; to prove their love, they must each commit murder.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ