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Roth P., The Facts. A novelist's Autobiography — 2007

"The Facts" is a work of compelling candour and inventiveness, instructive particularly in its revelation of the interplay between life and art. Philip Roth concentrates on five episodes from this life: his secure city childhood in the thirties and forties; his education in American life at a conventional college in the fifties; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the 'girl of my dreams' Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write "Portnoy's Complaint". The book concludes surprisingly - in true Rothian fashion - with a sustained assault by the novelist against his proficiencies as an autobiographer

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Roth P., The Plot Against America — 2005

In an astonishing feat of narrative invention, our most ambitious novelist imagines an alternate version of American history...

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Ðîò Ô., Íåìåçèäà. ðîìàí — 2011 (Corpus. 120)

Èñòîðèÿ, ðàññêàçàííàÿ â "Íåìåçèäå", ïðè âñåé áåñõèòðîñòíîñòè ñþæåòà ñðîäíè äðåâíåãðå÷åñêîé äðàìå. Ãëàâíûé ãåðîé êíèãè - Þäæèí Êàíòîð, ïî ïðîçâèùó "Áàêêè" (Áû÷îê), - ýíåðãè÷íûé, ðåøèòåëüíûé äâàäöàòèòðåõëåòíèé òÿæåëîàòëåò è ìåòàòåëü êîïüÿ, âñåîáùèé ëþáèìåö. Îí, ó÷èòåëü ôèçêóëüòóðû, çàâåäóåò ëåòíåé ñïîðòïëîùàäêîé, ãäå êàæäûé äåíü áîê î áîê ñ ðåáÿòàìè èãðàåò â ñîôòáîë. Åñëè áû íå ïëîõîå çðåíèå, Áàêêè äàâíî áû óæå áûë â äåéñòâóþùåé àìåðèêàíñêîé àðìèè, âåäü øåë 1944 ãîä. Òî ëåòî â ðîäíîì Íüþàðêå âûäàëîñü êàê íèêîãäà æàðêîå, êîãäà íà ãîðîä îáðóøèëàñü ñòðàøíàÿ ýïèäåìèÿ ïîëèîìèåëèòà, åæåäíåâíî óíîñèâøàÿ æèçíè äåòåé. Èñïîëíåííûé ñîçíàíèÿ äîëãà, îí ïûòàåòñÿ çàùèòèòü ñâîèõ ó÷åíèêîâ - âñå áåçóñïåøíî. Ñòðàõ è ïàíèêà, ñòðàäàíèå è çëîñòü íà íåñïðàâåäëèâîñòü ìèðà ïðèâîäÿò íåñãèáàåìîãî Áàêêè â çàìåøàòåëüñòâî. Åìó ïûòàåòñÿ ïðèéòè íà ïîìîùü åãî âîçëþáëåííàÿ, íî òóò åãî íàñòèãàåò íåóìîëèìûé ðîê...

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Ðîò Ô., Ìîé ìóæ - êîììóíèñò!. [ðîìàí] — 2007 (Âïåðâûå íà ðóññêîì!)

Ðîìàí èç öèêëà, ãëàâíûì ãåðîåì êîòîðîãî ÿâëÿåòñÿ Íàòàí Öóêåðìàí. Äåéñòâèå ðàçâîðà÷èâàåòñÿ â ÑØÀ â ïåðèîä "îõîòû íà âåäüì".

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

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