Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Øîó È., Áîãà÷, áåäíÿê. ðîìàí — 2024 (Ýêñêëþçèâíàÿ êëàññèêà) (Êíèãè, èçìåíèâøèå ìèð. Ïèñàòåëè, îáúåäèíèâøèå ïîêîëåíèÿ)

Ðîìàí "Áîãà÷, áåäíÿê" (1969) - çàõâàòûâàþùàÿ èñòîðèÿ î íåïðîñòûõ ñóäüáàõ òðîèõ äåòåé Àêñåëÿ Äæîðäàõà,÷üè äîðîãè ðàñõîäÿòñÿ ïîñëå ñìåðòè îòöà.Ðóäè,êîòîðûé áûë ëþáèì÷èêîì â ñåìüå è øêîëå,Òîì,çàäèðà è õóëèãàí,êîòîðîãî ðîäèòåëè íå îñîáî æàëîâàëè, è ãîðäàÿ êðàñàâèöà Ãðåòõåí ïûòàþòñÿ îáðåñòè ñ÷àñòüå.Èõ æäåò íåïðîñòîé ïóòü, ïîëíûé ëèøåíèé è ïðåãðàä.Äëÿ êîãî-òî ìå÷òà ñòàíîâèòñÿ áëèæå,à äëÿ êîãî-òî äîñòèãíóòûé èäåàë òåðÿåò ñìûñë,èëëþçèÿ ðàññåèâàåòñÿ.Ýòà êíèãà íàïîìèíàåò î òîì, ÷òî çà ñ÷àñòüå íóæíî íå òîëüêî áîðîòüñÿ,íî è ñóìåòü åãî ðàçãëÿäåòü.Îíà äî ñèõ ïîð ÷èòàåòñÿ íà îäíîì äûõàíèè.Ðîìàí ëåã â îñíîâó äâóõ çàìå÷àòåëüíûõ òåëåñåðèàëîâ, àìåðèêàíñêîãî è îòå÷åñòâåííîãî, êîòîðûå ñíèñêàëè îãðîìíóþ ïîïóëÿðíîñòü

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., Nightwork — 2008 (English) (Classical literature)

"Íî÷íîé ïîðòüå"-îäèí èç 12 íàèáîëåå èçâåñòíûõ ðîìàíîâ ïîïóëÿðíîãî àìåðèêàíñêîãî ïèñàòåëÿ ÕÕ âåêà Èðâèíà Øîó (1913-1984). ðîìàíå ïîâåñòâóåòñÿ î ðîëè ñëó÷àÿ â æèçãè ëþáîãî, äàæå ñàìîãî íåçàìåòíîãî ÷åëîâåêà.Çàãàäî÷íàÿ ãèáåëü îäíîãî èç ïîñòîÿëüöåâ îòåëÿ îòêðûëà äëÿ íî÷íîãî ïîðòüå äâåðü â äðóãóþ æèçíü.  êíèãå ïðåäñòàâëåí íåàäàïòèðîâàííûé òåêñò íà ÿçûêå îðèãèíàëà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., Evening in Byzantium — 2007 (Original reading. English)

Êíèãà äëÿ ÷òåíèÿ íà àíãëèéñêîì ÿçûêå.  ðîìàíå "Âå÷åð â Âèçàíòèè", íàïèñàííîì â 1973 ãîäó, îñòðîñîöèàëüíàÿ ïðîáëåìàòèêà ñî÷åòàåòñÿ ñ ðàñêðûòèåì íðàâñòâåííûõ èñêàíèé ëè÷íîñòè. Íåàäàïòèðîâàííûé òåêñò íà ÿçûêå îðèãèíàëà ñíàáæåí êîììåíòàðèÿìè è ñëîâàðåì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

20 Great American Short Stories — 2003 (English)

Âíèìàíèþ ÷èòàòåëåé ïðåäëàãàåòñÿ ïîëíûé, íåàäàïòèðîâàííûé òåêñò äâàäöàòè èçáðàííûõ ðàññêàçîâ èçâåñòíûõ àìåðèêàíñêèõ ïèñàòåëåé. Èçäàíèå ðàññ÷èòàíî íà ëèö, âëàäåþùèõ îñíîâàìè àíãëèéñêîãî ÿçûêà è ñîâåðøåíñòâóþùèõ ñâîè íàâûêè â íåì.

Ñîäåðæàíèå: Ms.Found in a Bottle/Poe/What Was It?/O'Brien/Luck/Twain/The Outcasts of Poker Flat/Harte/The Damned Thing/Bierce/The Two Faces/James/The Dilettante/Wharton/Masters of Arts/Henry/The Bride Comes to Yellow Sky/Crane/The Lost Phoebe/Dreiser/Death in the Woods/Anderson/To Build a Fire/London/Silent Snow, Secret Snow/Aiken/By the Waters of Babylon/Benet/The Old People/Faulkner/A Man of the World/Hemingway/The Harness/Steinbeck/There Was a Young Lady of Pearth/Saroyan/The Girls in Their Summer Dresses/Shaw/The Lucid Eye in Silver Town/Updike/

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., God Was Here but He Left Early — 1978

A short-story collection dramatizing the author's views of the human condition.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., Lucy Crown — 1984

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., Nightwork — 1976

Douglas Grimes, penniless ex-pilot, is waiting for the future to start living again. A fortune in cash by a dead body in New York City brings opportunity. Miles Fabian, debonair, jet-set con-man, shows the way.... Fast cars, fancy hotels, fancier woman. St Moritz, Paris, Florence,Rome Racehorses, blue movies, gambling, gold. Wild and woolly schemes, all wonderfully profitable. But the day of reckoning must dawn. Who will appear to claim the stolen money? And when?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., The Young Lions — 1978

The Young Lions is a vivid and classic novel that portrays the experiences of ordinary soldiers fighting World War II. Told from the points of view of a perceptive young Nazi, a jaded American film producer, and a shy Jewish boy just married to the love of his life, Shaw conveys, as no other novelist has since, the scope, confusion, and complexity of war.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., Evening in Byzantium — 1978

There were honest men and thieves, pimps and panderers and men of virtue. There were beautiful women and delicious girls, handsome men and men with the faces of swine... They were all gamblers in a game with no rules, placing their bets debonairly or in the sweat of fear... These are some of the characters in Irwin Shaw's novel. The place is Cannes; the setting, a film festival. The hero is Jesse Craig, forty-eight years old, whose survival is at stake in the midst of this gaudy carnival.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., Bread Upon the Waters — 1982

The Stands are a self-reliant family in New York City. Far from wealthy they are still reasonably content with their life until one night when their teenage daughter helps a wealthy and lonely Wall Street lawyer. Out of gratitude the lawyer showers the family with gifts and money. The Strands find their lives altered and not necessarily for the best.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw I., Rich Man,Poor Man — 1985

Rich Man, Poor Man - is the story of two brothers whose contrasting fortunes reflect the adventure and turmoil of post-war America. Rudy is the rich man - a romantic who lets no one stand between him and success. Tom is the poor man - the black sheep of the family on the run from his own violent past. An explosive, passionate story that was a major TV serial, Rich Man, Poor Man, together with the sequel, Beggarman, Thief, add up to one of the enduring literary events of recent years.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ