Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Weilguny H., Franz Liszt — [1980]

Àëüáîì, ïîñâÿùåííûé èçâåñòíîìó âåíãåðñêîìó êîìïîçèòîðó Ôåðåíöó Ëèñòó íà íåìåöêîì ÿçûêå

Ïîäðîáíàÿ èíôîðìàöèÿ

Óýéëàíä Ê. Ì., Ñîçäàíèå àðêè ïåðñîíàæà. ñåêðåòû ñöåíàðíîãî ìàñòåðñòâà: åäèíñòâî ñòðóêòóðû, ñþæåòà è ãåðîÿ — 2024 (Ñöåíàðíîå è ïèñàòåëüñêîå ìàñòåðñòâî)

Ïèñàòåëüíèöà Êýòè Ìàðè (Ê. Ì.) Óýéëàíä èçâåñòíà íå òîëüêî ñâîèìè ïîïóëÿðíûìè ðîìàíàìè, íî è ïîñîáèÿìè ïî ëèòåðàòóðíîìó ìàñòåðñòâó. Ëàóðåàò ïðåñòèæíûõ ïðåìèé, îíà ïðåêðàñíî ÷óâñòâóåò äèíàìèêó òåêñòà è çíàåò, êàê çàñòàâèòü ÷èòàòåëÿ ñîïåðåæèâàòü ãåðîÿì è ñëåäèòü çà ðàçâèòèåì ñþæåòà.Ñâîþ íîâóþ êíèãó îíà ïîñâÿòèëà òåìå ðàçðàáîòêè àðîê ïåðñîíàæåé. Ïî÷åìó èìåííî àðêà ïåðñîíàæà? Ïîòîìó ÷òî, åñëè âàø ãåðîé íà ïðîòÿæåíèè âñåé èñòîðèè íèêàê íå ìåíÿåòñÿ, íå ðàçâèâàåòñÿ è íè÷åìó íå ó÷èòñÿ, à òîï÷åòñÿ íà îäíîì ìåñòå, îí íèêîìó íå èíòåðåñåí. È íàïðîòèâ, óìåíèå âûñòðîèòü àðêó ïåðñîíàæà — êëþ÷åâîé íàâûê àâòîðà ëþáîãî ëèòåðàòóðíîãî ïðîèçâåäåíèÿ, áóäü òî õóäîæåñòâåííàÿ ïðîçà èëè ñöåíàðèé äëÿ êèíî è òåëåâèäåíèÿ. Ïðî÷èòàâ ýòó êíèãó, âû óçíàåòå, ÷åì ïîëîæèòåëüíàÿ àðêà îòëè÷àåòñÿ îò îòðèöàòåëüíîé è ïëîñêîé, ìîæåò ëè â âàøåì ïðîèçâåäåíèè áûòü ñðàçó íåñêîëüêî àðîê èëè íå áûòü âîîáùå íè îäíîé. Ïîïóëÿðíàÿ ïîäà÷à, àâòîðñêèé ñòèëü è ðàçáîð èçâåñòíûõ ôèëüìîâ îáåñïå÷èâàþò êíèãå ñàìóþ øèðîêóþ àóäèòîðèþ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Óýéëàíä Ê. Ì., Àðõèòåêòóðà ñþæåòà. Êàê ñîçäàòü çàïîìèíàþùóþñÿ èñòîðèþ — 2021

Ñîâðåìåííàÿ àìåðèêàíñêàÿ ïèñàòåëüíèöà Êýòè Ìàðè (Ê.Ì.) Óýéëàíä, ëàóðåàò ïðåñòèæíûõ ëèòåðàòóðíûõ ïðåìèé, íå ìåíåå ïîïóëÿðíà êàê àâòîð ó÷åáíûõ ïîñîáèé ïî ñöåíàðíîìó ìàñòåðñòâó è ñòîðèòåëëèíãó. Êíèãó «Àðõèòåêòóðà ñþæåòà» îíà ïîñâÿòèëà ñòðóêòóðå ïîâåñòâîâàíèÿ - öåíòðàëüíîìó ïîíÿòèþ ëèòåðàòóðíîãî ïðîöåññà. Âåäü óìåëî âûñòðîåííàÿ êîíñòðóêöèÿ íå ïîäàâëÿåò òâîð÷åñêèå ïîèñêè, à, íàïðîòèâ, îáëåã÷àåò ðàáîòó ïèñàòåëÿ è ïîçâîëÿåò ñîçäàâàòü óáåäèòåëüíûå ñþæåòû è îáúåìíûå õàðàêòåðû.Ïîäîáíî àðõèòåêòîðó, ïðîåêòèðóþùåìó çäàíèå, àâòîð êðóïíîé ëèòåðàòóðíîé ôîðìû äâèæåòñÿ îò îáùåãî çàìûñëà ê äåòàëÿì. Òàê è â õóäîæåñòâåííîì ïðîèçâåäåíèè åñòü ìàêðîóðîâåíü, ñîñòîÿùèé èç äåñÿòè øàãîâ, êîòîðûå îïèñûâàåò Óýéëàíä. Äàëåå àâòîð ïîñëåäîâàòåëüíî îñòàíàâëèâàåòñÿ íà ñòðóêòóðå ñöåíû è ïðåäëîæåíèÿ.Êíèãà àäðåñîâàíà àâòîðàì êàê õóäîæåñòâåííîé ïðîçû, òàê è ñöåíàðèåâ äëÿ êèíî è òåëåâèäåíèÿ, íî ïðèíåñåò íåñîìíåííóþ ïîëüçó âñåì ÷èòàòåëÿì, ïðè÷àñòíûì ê ðàáîòå íàä ñàìûìè ðàçíûìè òåêñòàìè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Áðèëü È., Ïðàêòè÷åñêèé êóðñ äæàçîâîé èìïðîâèçàöèè äëÿ ôîðòåïèàíî. ó÷åáíîå ïîñîáèå. Äëÿ ìóçûêàëüíûõ ó÷èëèù — 2003

Ñîäåðæàíèå: Dexter Blues. Vine Street Boogie / J. McShann; Blue and Sentimental / C. Basie; I'll Never Be the Same / G. Kahn, M. Malneck, F. Signorelli; Sunday / N. Miller, S. Cohn, J. Stein, B. Krueger; Hallucinations / B. Powell; Strange Meadow Lark / D. Brubeck; Ballad to the East / O. Peterson; Joy Spring / C. Brown; Fun Ride. One for Helen / B. Evans; Blues / R. Bryant; The Koln Concert / K. Jarrett; I've Never Been in Love Before / F. Loesser; Holiday for Strings / D. Rose; Tadd's Delight / T. Dameron; Impressions / Y. Coltraine; Manhattan Update / W. Bernhardt; Dolphin Dance: For Piano, Bass and Drums / H. Hancock; Speak Low / K. Weil; Beautiful but Why? / M. Petrucciani; Now He Sings, Now He Sobs. Steps. Blues for Art / C. Corea

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Weilguny H., Franz List. biographie in bildern — 1967

Àëüáîì ïîñâÿùåí æèçíè è òâîð÷åñòâó âåëèêîãî âåíãåðñêîãî êîìïîçèòîðà Ôåðåíöà Ëèñòà

Ïîäðîáíàÿ èíôîðìàöèÿ

Weil D., The Corporate Blogging Book. Absolutely everything you need to know to get it right — 2006

At first, the business community saw blogging as an ideal marketing tool for free agents and entrepreneurs who needed a cheap way to get their message out. That was then. Now, the big guys are waking up to the amazing power of a great blog to enhance their company's communication both internally and externally. However, as with most elements of business, the key word is great. As online consultant Debbie Weil makes clear in this timely and accessible book, a corporate blog that is boring or confusing is worse than none at all. Using an informal, jargon-free style, "The Corporate Blogging Book" explains how to create a blog for your business that's engaging, smart, and, most important, likely to grow an audience. All aspects of corporate blogging are explored here, and all of your important questions answered, such as: How much time will it take? What are the legal risks? Who in my company should blog? What are the best corporate blogs out there? If you want your company to survive in the modern business world, "The Corporate Blogging Book" is an essential resource.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ìàðêèí Þ., Ìîè ïåðâûå øàãè â äæàçå: ôîðòåïüÿííûå ïüåñû: ×àñòü 1, 2 — 2006

Ñîäåðæàíèå: ×àñòü 1. Èç ðåïåðòóàðà Êàóíòà Áýéñè: Jive at Five; Basie Blues; Swingin' the Blues; Sent for You Yesterday/ C. Basie. Teddy the Toad; Li'l Darlin'/ N. Hefty. Ets. ×àñòü 2. Äæàçîâûå ñòàíäàðòû: Basin Street Blues/ S. Williams. Down by the Riverside. Saint Louis Blues/ W. Hendy. Dear Old Southland/ T. Layton. Jersey Jump/ B. Rayle. Just You Just Me/ L. Young. Ets.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Âåéëü Ý., Ãåãåëü è ãîñóäàðñòâî. ïÿòü äîêëàäîâ — 2009

Ãåãåëü è ãîñóäàðñòâî.Çàãëàâèå ýòîé ðàáîòû - "Ãåãåëü è ãîñóäàðñòâî". Íî ýòî çàãëàâèå íå óêàçûâàåò íà îïðåäåëåííûå ãðàíèöû, ðå÷ü íà ñàìîì äåëå èäåò î êðèòèêå òðàäèöèîííîé êðèòèêè, ñîãëàñíî êîòîðîé Ãåãåëü ÿâëÿåòñÿ àïîëîãåòîì ïðóññêîãî ãîñóäàðñòâà è ïðîðîêîì òîãî, ÷òî ÷àñòî íàçûâàþò ýòàòèçìîì. Èìååò ëè çíà÷åíèå òàêàÿ êðèòèêà? Äîñòàòî÷íî ëè, åñëè íå âñòóïàòü â ïðîòèâîðå÷èÿ ñ ôèëîñîôîì, êîíñòàòèðîâàòü, ÷òî ãîñóäàðñòâî îêàçûâàåòñÿ â ñàìîì öåíòðå åãî ïîëèòè÷åñêîãî ìûøëåíèÿ? È åñëè ïðåäïîëîæèòü, ÷òî ýòà êðèòèêà ïðàâîìåðíà, òî ïðèìåíèìà ëè îíà ê Ãåãåëþ?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ