Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Eliot G., Silas Marner, the weaver of Raveloe — [cop.1927]

Ïîñëåäíèé «àâòîáèîãðàôè÷åñêèé» ðîìàí Ýëèîò «Ñàéëåñ Ìàðíåð: Òêà÷ èç Ðàâåëëà » - càìûé ïðåäìåòíûé èç åå «ñåëüñêèõ» ðîìàíîâ, ãåðîè êîòîðîãî æèâóò óáåäèòåëüíîé â ãëàçàõ ÷èòàòåëÿ æèçíüþ, èõ îêðóæàåò êîíêðåòíûé, óçíàâàåìûé ìèð

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Eliot G., Daniel Deronda. Novels of George Eliot Vol.8 — MDCCCLXXX [1880]

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Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Middlemarch. A study of provincial life. Novels of George Eliot Vol.7 — MDCCCLXXX [1880]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Romola. Novels of George Eliot Vol.6 — [1880]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Felix Holt, the radical. Novels of George Eliot Vol.5 — [1880]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Silas Marner. Scenes of clerical life. Novels of George Eliot Vol.3-4 — [1880]

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Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Mill on the Floss. Novels of George Eliot Vol.2 — [1880]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Adam Bede. Novels of George Eliot Vol.1 — [1880]

Âûøåäøèé â 1859 ðîìàí «Àäàì Áèä», íåîáûêíîâåííî ïîïóëÿðíûé è, âîçìîæíî, ëó÷øèé ïàñòîðàëüíûé ðîìàí â àíãëèéñêîé ëèòåðàòóðå, âûâåë Ýëèîò â ïåðâûé ðÿä âèêòîðèàíñêèõ ðîìàíèñòîâ.  «Àäàìå Áèäå» Äæîðäæ Ýëèîò ïèñàëà î âðåìåíàõ þíîñòè ñâîåãî îòöà (Àíãëèÿ êîíöà XVIII âåêà)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Novels of George Eliot — [1880]

Ñîáðàíèå ñî÷èíåíèé àíãëèéñêîé ïèñàòåëüíèöû Äæîðäæ Ýëèîò (íàñòîÿùåå èìÿ Ìýðè Ýíí Ýâàíñ)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ðåäêîé êíèãè

Ïîäðîáíàÿ èíôîðìàöèÿ

Êðåáñ Äæ., Ãåíû ïî Ëüþèíó — 2022

Ïåðåâîä äåñÿòîãî àíãëîÿçû÷íîãî èçäàíèÿ êíèãè, ñòàâøåé êëàññèêîé äëÿ ìîëåêóëÿðíûõ áèîëîãîâ âñåãî ìèðà, ñîäåðæèò ïîñëåäíèå äîñòèæåíèÿ â îáëàñòè ìîëåêóëÿðíîé áèîëîãèè è ìîëåêóëÿðíîé ãåíåòèêè, âêëþ÷àÿ ñòðóêòóðó ãåíîâ, ïîñëåäîâàòåëüíîñòè, îðãàíèçàöèþ è ýêñïðåññèþ. Èçäàíèå äîïîëíåíî íîâûìè ðàçäåëàìè, õîðîøî èëëþñòðèðîâàíî è ñòðóêòóðèðîâàíî, ÷òî ïîìîãàåò ñòóäåíòàì ëó÷øå îðèåíòèðîâàòüñÿ â îòäåëüíûõ òåìàõ.Äëÿ ñòóäåíòîâ, ñïåöèàëèçèðóþùèõñÿ â îáëàñòè ìîëåêóëÿðíîé ãåíåòèêè, ìîëåêóëÿðíîé áèîëîãèè, ãåííîé èíæåíåðèè, à òàêæå äëÿ àñïèðàíòîâ, ïðåïîäàâàòåëåé, íàó÷íûõ ñîòðóäíèêîâ.3-å èçäàíèå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãàðäèíåð Ä. Ý., Ìóçûêà â Íåáåñíîì Ãðàäå. ïîðòðåò Èîãàííà Ñåáàñòüÿíà Áàõà — 2020

Àâòîð ýòîé êíèãè, çíàìåíèòûé äèðèæåð ñýð Äæîí Ýëèîò Ãàðäèíåð, ïðåäëàãàåò íàì îòïðàâèòüñÿ âìåñòå ñ íèì â óâëåêàòåëüíîå ïóòåøåñòâèå è ðàçãàäàòü òàèíñòâåííóþ ëè÷íîñòü Èîãàííà Ñåáàñòüÿíà Áàõà, â áóêâàëüíîì ñìûñëå íàðèñîâàòü åãî êðàñî÷íûé ïîðòðåò - îïèðàÿñü íå òîëüêî íà ñâîè îáøèðíûå ïîçíàíèÿ, íî è íà îïûò èñïîëíèòåëÿ, áîëåå ÷åì 50-ëåòíþþ ïðàêòèêó èíòåðïðåòàöèè áàõîâñêîé ìóçûêè. Êíèãà Ãàðäèíåðà - ýòî ãîëîâîêðóæèòåëüíûé ïîëåò íàä ëàíäøàôòàìè èñòîðèè, ðåëèãèè, ïñèõîëîãèè è ìóçûêè è â òî æå âðåìÿ - î÷åíü ëè÷íîå ïðèçíàíèå â ëþáâè ê âåëèêîìó êîìïîçèòîðó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Ýëèîò Ä., Ìèäëìàð÷. êàðòèíû ïðîâèíöèàëüíîé æèçíè. [ðîìàí] — 2017 (Èíîñòðàííàÿ ëèòåðàòóðà. Áîëüøèå êíèãè)

Ìýðè Ýíí Ýâàíñ, ïèñàâøàÿ ïîä ïñåâäîíèìîì "Äæîðäæ Ýëèîò", âîøëà â èñòîðèþ àíãëèéñêîé ëèòåðàòóðû êàê îäèí èç âûäàþùèõñÿ ìàñòåðîâ ïîçäíåâèêòîðèàíñêîãî ðîìàíà. Ðîìàí "Ìèäëìàð÷" - ãëàâíîå ïðîèçâåäåíèå ïèñàòåëüíèöû, ïîäëèííûé øåäåâð, â êîòîðîì íàøëè ñâîå îòðàæåíèå âñå ãëàâíûå èäåè, õàðàêòåðû è ñþæåòíûå õîäû àíãëèéñêîé ëèòåðàòóðû êîíöà 19 âåêà. Ìåñòî åãî äåéñòâèÿ - ïðîâèíöèàëüíûé ãîðîäîê â ñðåäíåé Àíãëèè ñî âñåìè åãî òàéíàìè è çàãàäêàìè, ñêðûâàþùèìèñÿ çà êðàñèâûìè ôàñàäàìè áëàãîóñòðîåííûõ äîìîâ. "Ïîñåòèâ" Ìèäëìàð÷, ÷èòàòåëü íàéäåò çäåñü äîñòàòî÷íî ðàçâëå÷åíèé äëÿ ñåðäöà è óìà: íåóäà÷íûå è ñ÷àñòëèâûå áðàêè, àôåðû ñ íàñëåäñòâîì, ëæèâûå ñâåòñêèå óñëîâíîñòè, èíòðèãàíû âñåõ ìàñòåé è äîáðîñåðäå÷íûå ïàñòûðè, èñòèííàÿ ëþáîâü è âåòðåíûå èçìåíû—

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

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Ýëèîò Äæ., Ìèðîâàÿ ëèòåðàòóðà â èíôîãðàôèêå — 2017 (Ìèð â èíôîãðàôèêå)

Âû ñ÷èòàåòå ñåáÿ çíàòîêîì ìèðîâîé ëèòåðàòóðû? Ñïîðèì, âàñ ïîòðÿñóò íîâûå íåîæèäàííûå ôàêòû, êîòîðûå âû íàéäåòå â ýòîé êíèãå?  íåé ñîáðàíà óíèêàëüíàÿ, îñòðîóìíàÿ è íåîæèäàííàÿ èíôîðìàöèÿ î ñàìûõ èçâåñòíûõ ïèñàòåëÿõ - îò Øåêñïèðà äî Íàáîêîâà, îò Îðóýëëà äî Ãåíðè Äæåéìñà. Âû çíàåòå, êòî íàïèñàë ñàìîå äëèííîå ïðåäëîæåíèå â èñòîðèè ëèòåðàòóðû? Êåì ðàáîòàëè ïèñàòåëè äî òîãî, êàê ñòàëè èçâåñòíûìè? Áîëåå 100 ïîòðÿñàþùèõ, îñòðîóìíûõ è óâëåêàòåëüíûõ ñõåì, ãðàôèêîâ è ðèñóíêîâ î ëèòåðàòóðå ðàññêàçûâàþò î âàøèõ ëþáèìûõ êíèãàõ è èõ àâòîðàõ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ýëèîò Ä., Ñâåðõäîñòèæåíèÿ. Ðàáîòàÿ ìåíüøå, äîáèâàéòåñü áîëüøåãî. [Ïåðåâîä ñ àíãëèéñêîãî] — 2011

Íàñ ñ äåòñòâà ïðèó÷àëè, ÷òî îñíîâà âñåõ äîñòèæåíèé - óïîðíûé òðóä, ÷òî íóæíî ñòàâèòü ïåðåä ñîáîé àìáèöèîçíûå öåëè è íàïðÿãàòü âñå ñèëû äëÿ èõ äîñòèæåíèÿ. Àâòîð îïðîâåðãàåò ýòè îáùåïðèíÿòûå ïðåäñòàâëåíèÿ è íà ïðèìåðå òàêèõ âûäàþùèõñÿ ëè÷íîñòåé, êàê Ìàéêë Äæîðäàí, Éîãè Áåððà, Ðè÷àðä Áðýíñîí, Òàéãåð Âóäñ è ìíîãèõ äðóãèõ äåëàåò ïàðàäîêñàëüíûå âûâîäû. Óñåðäíî ðàáîòàòü ãîëîâîé - ïîëíàÿ ãëóïîñòü; ÷åìïèîíû, êàê ïðàâèëî, âîîáùå íè î ÷åì íå äóìàþò. Êëàññè÷åñêèå ìåòîäèêè äûõàíèÿ è ðåëàêñàöèè òîëüêî ïðåïÿòñòâóþò ðåêîðäàì; ñòðåññ - èñòî÷íèê ýíåðãèè è ìîùè. Íóæíî áûòü ñàìîóâåðåííûì, äàæå íàãëûì, ãîðäèòüñÿ ñâîèìè óñïåõàìè è íå âûèñêèâàòü â ñåáå íåäîñòàòêè. Åñëè ìå÷òàåòå ïîëíîñòüþ ðàñêðûòü ñâîè òàëàíòû è ìàêñèìàëüíî èñïîëüçîâàòü âîçìîæíîñòè ñâîåãî ìîçãà, ýòà êíèãà-äëÿ âàñ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Eliot G., Silas Marner. the weaver of Raveloe. stage 4 — 2008 (Oxford Bookworms Library)

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away? What will Silas do then? What could possibly comfort him for the loss of his only friend?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

100 Favorite English and Irish Poems — 2006

Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction July — 2004

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bloom H., The Best Poems of the English Language — 2004

The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction February — 2003

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ, Äæåðîì Ê. Äæåðîì, Àðòóð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ