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Çàãëàâèå:

Wagner: Die Walkure

Òèï íîñèòåëÿ:

Âèäåîôèëüìû

Ìåñòî èçäàíèÿ:

Berlin

Èçäàòåëüñòâî:

Deutsche Grammophon (Firm)

Ãîä èçäàíèÿ:

2012

Îáúåì:

1 âèäåîäèñê (Blu-ray Disc)(243+22 mins(extras))

Àííîòàöèÿ:

Die Walkure is presented on Blu-ray courtesy of Opus Arte, with an AVC encoded 1080i image in 1.78:1. For the most part, this is a very nice looking transfer that is only hobbled somewhat by the overly dark stage lighting which was obviously an intentional choice for the first two acts of the piece. That casts these acts in a sort of gray-blue light that makes flesh tones especially look highly artificial. On the other hand, fine detail is well above average, especially with regard to the opulent costumes. Brunnhilde’s bright red-orange get up is a showstopper, and once the Valkyries join her, there’s a riot of color on the stage. The Act III opener is by far the brightest lit sequence of the show, and it also benefits from a bright white set, and whole new levels of fine detail appear. The fire circle finale is once again awash in orange-red, which casts a slightly soft, hazy appearance on the proceedings. Die Walkure is presented with two excellent lossless soundtracks, a DTS-HD Master Audio 5.1 surround mix and an LPCM 2.0 stereo fold down. The DTS track very beautifully recreates the acoustics at Bayreuth, especially with regard to the lovely floating orchestral ambience, but there are still very occasional balance issues where the orchestral forces just slightly outweigh the vocalists. On the whole, though, this is an incredibly fulsome recording that is especially impressive in terms of the brass and wind sounds. Thielemann’s conducting is top notch and the performance from both orchestra and singers is largely superb. Fidelity is excellent, and dynamic range is actually stupendous at times, as Thielemann really culls an amazing amount of difference out of the players, from softest pianissimo to loudest triple forte.

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Ðàçìåðû èçäàíèÿ:

12 ñì., â êîíòåéíåðå 17õ14 cì.

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