Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Asimov s Science Fiction October/November — 2001

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Up the Line to Death. The War Poets 1914-1918 — 1980

Up The Line To Death: The War Poets 1914—1918 is a poetry anthology edited by Brian Gardner, and first published in 1964. It was a thematic collection of the poetry of World War I.A significant revisiting of the tradition of the war poet, writing in English, it was backed up by strong biographical research on the poets included. Those were mainly British and Irish combatants of World War I; but there are also Australian, Canadian and American poets. The poems are arranged roughly in chronological order, from the start of the war to the end. Some contemporary poems by major poets not involved in the fighting are also given. The title of the anthology comes from the Siegfried Sassoon poem Base Details.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Martin N., Understanding Children Talking — 1976

What is a child doing when creating a spontaneous poetical monologue, when indulging in dramatic role-playing talk, when engaging in discussion, when openly gossiping? Children's use of language is an important pointer to an understanding of the world they live in,of the development of their perceptions and attitudes. The different forms their talk will take, and the situations in which they use these forms, richly repay close study on the part of educationalists and teachers.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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 íàñòðîåíèè: ïîïóëÿðíûå äæàçîâûå òåìû: îäíîãîëîñèå, èìïðîâèçàöèè, ïåðåëîæåíèå äëÿ ôîðòåïèàíî: 100 [òåì] — 2002

Ñîäåðæàíèå: 100 äæàçîâûõ òåì À.Ê. Æîáèìà, Ý. Õàãåíà, Ò. Äåëàíè, Á. Ðàññåëà, Äþêà Ýëëèíãòîíà, Äæ. Êåðíà, Ê. Ïîðòåðà, Ò. Óîëëåðà, Õ. Áðóêñà, Ð. Ðîäæåðñà, Â. Þìàíñà, Ó. Ãðîññà, Óèëüÿìñà, Õ. Àðëåíà, Äæ. Õåðìàíà, Ô. Ëåÿ, Äæ. Ãåðøâèíà, Á. Áàêàðàõà, À. Õýìèëòîíà, Äèççè Ãèëëåñïè, ×. Ïàðêåðà, Ê. Áðàóíà, Õ. Óîððåíà, Ô. Ëîó, À. Õåðöîãà, Á. Õîëëèäåÿ, Â. Äþêà, Ë. Áåðíñòàéíà è äð.  èçä. òàêæå 5 òåì â èçëîæåíèè äëÿ ôîðòåïèàíî ñ áóêâåííî-öèôðîâûì îáîçíà÷åíèåì àêêîðäîâ: Basin Street Blues/ Spencer Williams; Flamingo/ Ted Grouya; Tin Roof Blues/ Orlean Rhythm Kings; Blues in C/ Gerald Martin; Soul Bossa Nova/ Quincy Jones

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

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Barrier J. M., A Smithsonian Book of Comic-Book Comics — 1981

A SMITHSONIAN BOOK OF COMIC BOOK COMICS is a delightful book, emphasizing the vitality and creativity of the form. After a brief introduction giving a short history of the American comic book, the book is organized into a dozen sections composed of a short essay followed by representative stories. The first section is about the creation of Superman and includes the very first appearance of Superman. Superman inspired a host of "superheroes," including Batman and Captain Marvel, who each get a section. The book also covers the comic books aimed at young children (The Pie-Faced Prince"), war stories, comics for adult readers ("Master Race") and satirical ("Mad").

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

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